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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

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26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
9
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
57
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+7
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
12
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ENGLISH

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

-.-

 

G
=
7
-
-
GOOD
-
-
-
-
-
-
-
2
GO
22
13
4
-
-
-
-
2
DO
19
10
1
G
=
7
-
4
GOOD
41
23
5
-
-
-
-
-
-
4+1
2+3
-
G
=
7
-
4
GOOD
5
5
5

 

-.-

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

T
=
2
-
3
THE
33
15
6
T
=
2
-
6
TWENTY
107
26
8
S
=
1
-
3
SIX
52
16
7
L
=
3
-
7
LETTERS
99
27
9
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
A
=
1
-
8
ALPHABET
65
29
2
-
-
17
-
32
Add to Reduce
410
140
41
-
-
1+7
-
3+2
Reduce to Deduce
4+1+0
1+4+0
4+1
-
-
8
-
5
Essence of Number
5
5
5

 

 

LIGHT AND LIFE

Lars Olof Bjorn

 
1976
 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).

IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.

 
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
 

1 000 000 000 'LETTERS'."

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875 - 1955

Page 660

"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."

"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."

 

 

-
-
-
-
-
DIVINATION
-
-
-
D
=
4
-
1
D
4
4
4
I
=
9
-
1
I
9
9
9
V
=
4
-
1
V
22
4
4
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
A
=
1
-
1
A
1
1
1
T
=
2
-
1
T
20
2
2
I
=
9
-
1
I
9
9
9
O
=
6
-
1
O
15
6
6
N
=
5
-
1
N
14
5
5
-
-
54
-
10
DIVINATION
117
54
54
-
-
5+4
-
1+0
-
1+1+7
5+4
5+4
-
-
9
-
1
DIVINATION
9
9
9

 

 

FINGERPRINTS OF THE GODS
 
G Hancock1995
 
Page 287
 
 "What one would look for, therefore, would be a universal language"
 
 
 
 "WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

THE

ENGLISH LANGUAGE

TRANSMUTED INTO NUMBER

IS

ONE OF THE MAIN CONDUITS

THROUGH WHICH APPEAR CLEARER UNDERSTANDING

OF

THOSE REFRACTED PATTERNS AND SENSIBILITIES APPARENTLY RANDOM

DESCRIBING ENERGIES WHICH INTERMINGLED WITHIN THE GREAT HERE AND NOW

ARE

CONSIDERED

THE

CREATIVE LIVING EXPERIENCE

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

Page 496

" There is both rhyme and reason in what I say, I have made a dream poem of humanity.

I will cling to it. I will be good. I will let death have no mastery over my thoughts.

For therein lies goodness and love of humankind, and in nothing else."

Page 496 / 497

"Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action.

For the sake of goodness and love, man shall let death have no sovereignty over his thoughts.
- And with this -I awake. For I have dreamed it out to the end, I have come to my goal."

 

THE DIE IS NOW CAST NOW CAST IS THE DIE

 

 

LOVE EVOLVE LOVE EVOLVE LOVE

9 9 9 9 9 9 9 9 9 9 9 9

LOVE EVOLVE LOVE EVOLVE LOVE

LOVE EVOLVE LOVE EVOLVE LOVE

9 9 9 9 9 9 9 9 9 9 9 9

LOVE EVOLVE LOVE EVOLVE LOVE

LOVE EVOLVE LOVE EVOLVE LOVE

9 9 9 9 9 9 9 9 9 9 9 9

LOVE EVOLVE LOVE EVOLVE LOVE

 

 

ORACLE

973-eht-namuh-973

by sirjon77 » Tue Feb 14, 2012 7:36 pm

Hannah, can you hear me? Wherever you are, look up, Hannah.

The clouds are lifting. The sun is breaking through.

We are coming out of the darkness into the light.

We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality.

Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly.

He is flying into the rainbow - into the light of hope, into the future, the

glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up

 

http://www.youtube.com/watch?v=7WsR6CFlvHY

 

 

 

M
=
4
-
6
MAKING
55
28
1
S
=
1
-
5
SENSE
62
17
8
O
=
6
-
2
OF
21
12
3
N
=
5
-
8
NONSENSE
105
33
6
-
-
16
-
21
Add to Reduce
243
90
18
-
-
1+6
-
2+1
Reduce to Deduce
2+4+3
9+0
1+8
-
-
7
-
3
Essence of Number
9
9
9

 

 

 

 

THE LOST LANGUAGE OF SYMBOLISM

Harold Bayley

The Lost Language of Symbolism: An Inquiry into the Origin of Certain Letters,

Words, Names, Fairy-Tales, Folklore, and Mythologies. 2 vol. 1912

Page 41

"Mysticism has universally taught that every man has within himself the germs or seeds of Divinity, and that by self-conquest these sparks of Heaven may be fanned into a flame, the flame into a fire, the fire into a star, and the star into a sun."

 

 

MYSTICISM HAS UNIVERSALLY TAUGHT

THAT EVERYONE HAS WITHIN THEMSELVES THE GERMS OR SEEDS OF DIVINITY

AND THAT BY SELF CONQUEST THESE SPARKS OF HEAVEN MAY BE FANNED INTO A FLAME

THE FLAME INTO A FIRE THE FIRE INTO A STAR AND THE STAR INTO A SUN

 

 

ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE

 

 

THE LOST LANGUAGE OF SYMBOLISM

Harold Bayley

The Lost Language of Symbolism: An Inquiry into the Origin of Certain Letters,

Words, Names, Fairy-Tales, Folklore, and Mythologies. 2 vol. 1912

INTRODUCTION

Page 11

"... Although etymologists are agreed that language is fossil poetry and that the creation of every word was originally a poem embodying a bold metaphor or a bright conception, it is quite unrealised how close and intimate a relation exists between symbolism and philology. But, as Renouf points out, " It is not improbable that the cat, in Egyptian Mau, became the symbol of the Sun-God or Day, because the word Mau also means light." 1 Renouf likewise notes that not only was RA the name of the Sun-God, but that it was also the usual Egyptian word for Sun. Similarly the Goose, one of the symbols of SEB, was called a Seb ; the Crocodile, one of the symbols of SEBEK, was called a Sebek; the Ibis, one of the symbols of TECHU, was called a Techu ; and the Jackal, one of the symbols of ANPU (ANUBIS), was called an Anpu.
Parallels to this Egyptian custom are also traceable in Europe, where, among the Greeks, the word Psyche served not only to denote the Soul but also the Butterfly, a symbol of the Soul; and the word Mylitta served both as the name of a Goddess and of her symbol the Bee. Among the ancient Scandinavians the Bull, one of the symbols of THOR, was named a Thor, this being an example, according to Dr Alexander \Vilder, " of the punning so common in those times, often making us uncertain whether the accident of similar name or sound led to adoption as a symbol or was merely a blunder." 2
I was unaware that there was any ancient warrant for what I supposed to be the novel supposition that in many / Page12 / instances the names of once-sacred animals contain within themselves the key to what was originally symbolised. The idea that identities of name were primarily due to punning, to blunder, or to accident, must be dispelled when we find that-as in most of the examples noted by myself -the symbolic value of the animal is not expressed by a homonym or pun, but in monosyllables that apparently are the debris of some marvellously ancient, prehistoric, almost extinct parent tongue. Modern language is a mosaic in which lie embedded the chips and fossils of predecessors in comparison with whose vast antiquity Sanscrit is but a speech of yesterday. In its glacier-like progress, Language must have brought down along the ages the detritus of tongues that were spoken possibly millions of years before the art of recording by writing was discovered, but which, notwithstanding, were indelibly inscribed and faithfully preserved in the form of mountain, river, and country names. Empires may disappear and nations be sunk into oblivion under successive waves of invasion, but place names and proper names, preserved traditionally by word of mouth, remain to some extent inviolate; and it is, I am convinced, in this direction that one must look for the hypothetical mother-tongue of the hypothetical people, known nowadays as "Aryans. "

Page 11. Notes.1 On the Origin and Growth of Religion as Illustrated by the Religion 0/
Ancient Egypt, p. 237 ; Hibbcrt Lectures, p. 879. 2 Symbolical Language of Ancient Arl and Mythology, R. Payne-Knight,
P.124.

 

 

SOME MYSTICAL ADVENTURES

G, R, S. Mead 1910

XIII

ON THE ART OF SYMBOLISM.

Page 180

"The Mind of the Father hath sown symbols through tbe world."

THE CHALDAEAN ORACLES.

" MANY people talk vaguely about symbols and some are really interested in symbolism; but even of those who may happen to possess a little learning on the subject, how few are there who, if they turn and really face themselves and there is no audience to play to, can say they have got to the heart of the matter, or know how rightly to seize the proteus whose changing forms they are ever grasping at, and so force it to speak true words?
I, for my part, freely admit that I am as yet far from the real heart of the matter. I cannot yet hold the proteus steady and force it to speak true words of power; but there is joy in the game of catch-as-can-catch, and I am game for a short bout; though doubtless, as of yore, the wily one will change into something I have never thought of before, and I shall have no grip in mind to hold him.

Page 181

'Symbol' is no native name; it is a Greek importation (symbolon), and its root-meaning is said to be a sign, or token, by which one knows or infers a thing. The utterance of this word should awaken in us the idea of putting together (sym-ballein), with the notion (in the passive) of to correspond and to tally. But to put together is to compare, and so to compare one's own opinion with facts, and hence to conclude, infer, conjecture, interpret; and it is from this last meaning that, the wisdom of the word-books tells us, we get the meaning of symbol as a sign, or token, by which one knows or infers a thing.
I am afraid that we have not yet grasped our proteus amid all these changing forms of words. A symbol is a sign, but that again is a Latin importation (signum), and we may pass it by. A symbol is a token; that is good English. Token is connected with to teach, to point out, show, witness; to betoken is to be a symbol of.
But words will not help us much; they are forms of speech that are ever slipping away into other forms. A symbol is not a word; it is something more fundamental; in its proper meaning it is something almost more primitive than an ideogram, or type-picture. Let us go in search of the idea-the living idea, not some abstract inference-the fulness, not the flat.
If there is a 'flat-land' as compared with a / Page 182 / three-dimensional land, may we not think of symbol-language as a three-dimensional language, so to speak, when compared with the' flat' languages of ordinary speech? Or, to use these words in a deeper meaning, speech in its most primitive mode is action, and so symbolic action, or drama, might be said to be the true symbol­language. This symbol - or three-dimensional language is closely connected with ceremony. And ceremony (Lat. eeremonia) is a word formed on a stem that grows from the root ere (as in creo, I make, create), which is of the same origin as the Sanskrit kri (as in karma, action, doing). A ceremony is a sacred rite; that is, it is typical, and as such should be of creative potency, for as the Chaldaean Oracle has it: "The Mind of the Father hath sown symbols through the world." That which is typical is ideal, for type and idea are synonyms.
Are we now getting any nearer the heart of the matter? Are we beginning to make our symbols alive? Can we afford to dismiss any
true symbol with the dull remark: "It's only a symbol"? The universe itself is a symbol; man is a symbol.
Even in their lowest strata symbols are the ' out-lines,' so to say, of three-dimensional objects from some point of view, seen from one side or another; and' out-line' in its inner meaning is / Page 183 / intimately connected with idea; it is, as it were, a ground-plan.
Now as symbols in this sense have to do with ideas and types, are connected with the living side of things, it is not possible to interpret a symbol in one set fashion only and tie it down to one set form. We cannot make an 'exact science' of symbolism; it is initiatory rather than didactic; it 'starts' one towards living ideas, it does not peg us out in some rigid configuration.
So that if it is asked, how does one know that this or that is the right interpretation of any particular symbol, it is exceedingly difficult, if not impossible, to prove it in the way of physical demonstration. If the interpretation really fits, there will be a response within. It will be a living response; not the imprisoning of the mind in a dead form. In the interpretation of symbols we must be prepared to give up exactness, in the way it is generally understood, and allow our minds free play. At the beginning it is best to use any hint that seems to promise well; first apply it in every direction, then as soon as ever it has led to another clue, throw it away.
In learning the great language of symbols it is necessary to keep the mind ever free, plastic, and adaptable. If we persist in keeping stuck in the old ruts, we shall never learn the meaning / Page 184 / of symbols. The beauty of great symbols is the infinite variety of their modes of interpretation. To think there is only one definite interpretation for each symbol is to paralyse one's symbol-mind, and make it fall dead and flat into the superficial. One should play with symbols as a mathematician plays with numbers; symbols are the playthings of the gods. And I think the secret of interpreting symbols is to get the symbol first into one's mind, and not one's mind into the symbol.
The mind should not be allowed to relate itself to the symbol, should not allow itself to be attracted by the picture into going out of itself and crystallising itself into one form; but the symbol should rather be compelled to relate itself to the mind. It should be taken into the mind, and then the mind will be able to see it from every side and grasp it as a whole.
Symbol-language has its letters and its words, and the above may be suggested as a method of learning the alphabet. But symbol-language is not the same thing quite as symbolical language, nor is it to be confused with metaphorical language. Metaphor is transferring the meaning of one word to another in ordinary speech. It is exceedingly important, quite a mystic art, a sort of game of 'general post' among the ideas connected with words.
A metaphor gives a meaning that is not to be / Page 185 / understood literally, or according to the face­value of the letters as we know them, but a reading of root-ideas, as it were, abstracting or subtracting the substance from them. That is to say, we take away the substance that built the idea and keep the idea, and then expand it and spread it out cosmically in every direction. Metaphors may be said to be more connected with substance, symbols with spirit.
Symbols should be ' eaten' and' digested,' so to say. Triangles and svastikas, for instance, might be said to be symbols which, when gazed upon in an ecstatic state of mind-that is, taken within and contemplated-nourish the body of essence; if made alive they create pleasing sensations in it, stimulate, feed, and excite it, rearrange all its activities, alter the currents in it and build it. All great symbols are said to do this-that is, all cosmic symbols or forms that are directly related to things-that-are. These cosmic symbols suggest modes of creative energies; when creative powers act they draw certain patterns and plans and not others; and these patterns, types, and ideas are cosmic symbols, and it is by ecstatically gazing at them, that they nourish our root-substance and so enform it cosmically, or in a harmonious or orderly fashion.
Symbols are toys in the great game. We / Page 186 / should thus learn to play with symbols in the true Kindergarten, the' everlasting revelling­place '-the essential substance that is our nursery and our cradle, and our womb for birth into greater things. But this game is a living thing; we should make symbols act; we learn little while we keep them steady. A true symbol should be ever in motion. Nor should we be satisfied till we can glide from one symbol to another. While we think of symbols as dead detached objects cut off from one another, and bearing no relation to each other, we shall know nothing. We should play with them, draw them or picture them from every stand­point, till we catch fresh glimpses every moment.
Let us think of one great world-body ever in motion; all true symbols may be said to be attempts to snapshot this object in motion. They are like separate films for a cinemato­graph; the great difficulty is to get them in their right sequence and make them pass in procession before the inner eye. If we could manage to do this and obtain the right sequence for a moment, then we should get in touch with some real living ideas. But the right grouping of the symbols is essential. However, the more we practise, the better we guess, the faster will the real ideas come. It is perhaps the greatest of arts-the true practice of the / Page 187 / art of symbolism. We can do it with our minds, with our eyes, with our bodies. Indeed if we could act this continuity between symbols, we should, it is said, breathe in ideas with every movement of the essential body; but this is far more difficult than practising with our minds.
Of course all this applies only to true symbols; many things called symbols are distorted or false appearances. No signs, no symbols, are worth anything unless they signify facts; that is to say, unless they represent transformations which will be experienced when inner vision develops.
A true symbol is something capable of con­taining life. It is never of any arbitrary shape. It must be, or it will never convey living ideas. Symbols, I believe, are not given to make us think in the ordinary sense; their main use is to convey life to our life and bring about a union. Their real use is to convey life of such power that it is capable of actually making an impression, or depression, upon the substance with which the higher mind is connected. They are the link between thought and action. Symbolism is connected with sigils, signatures, characters, types, in their root-meanings, with all the nomenclature connected with the im­pression of ideas on substance.
Before a man is capable of causing his subtle / Pagee 188 / substance to go through all these transformations, * or metamorphoses, at which we have hinted, before these' initiations '-beginnings or startings-can really take place in the root­matter of his vehicles, it is possible for the transformations actually to take place in symbol in his higher mind of ideation. And this is a very desirable thing. To accomplish it in body is doubtless possible for a few only; but to accomplish it in mind is possible for many more. It is not dangerous, and it is a great developer of mental capacity.
It is a method of contemplation. The symbol­learner should strive to get the mind quite still; to get the idea of the mind being as it were a sea of subtle substance. He must not think discursively; must not space out separatE.? symbols and look at them one after the other; but try to 'feel' the mind-substance being moulded.

Page 189

If, for instance, he think of 'potter' and , clay,' he should try to imagine the substance of the mind being moulded from one to the other continuously backwards and forwards, and watch them grow within himself. When practising symbols we should never' objectivise' or project; we should rather' feel' them grow within, and then an occasional idea may flash through.
It is, however, not desirable to pay too much attention to these ideas, for noticing them immediately transfers the consciousness to another' plane' of mind; for though this practice is a mental one it is not in itself a , science.' It is better to notice the ideas that flash forth just sufficiently to record them on the memory-plate, so that they can be used later when the tranquillity of mind that is the essential condition of the practice, has been left.
The world-body, or great surround, or essence­envelope, of every man may be thought of as, so to speak, the L.C. M., or rather G.C.M., of all symbols. It is a useful practice to play with spheres and circles and conic sections, and so try to get ideas along these lines. It is quite credible that it is possible to resolve every symbol into an 'attitude,' so to say, or 'action,' or rather' activity,' of this world-body, and / Page 190 / so connect and link up all symbols by means of this world-soul, which is soul and body also.
This world-body may be said to be our way out of manhood into the cosmos; and so also is the art of symbolism the way out of men's language into the language of the gods. Root­symbols may be regarded as fundamental lines and curves which carry with them certain powers and certain meanings, and these lines and curves are to be found in every science and art of men. They are, from this standpoint, the roots from which all sciences and arts grow, the foundations on which they are built, the gates forth to greater worlds.
It is not, however, to be supposed that such symbolism is the end of the matter; by no means. It is introductory to the linking of Mind on to this world-body. Symbols are, so to say, snapshots of the self-motivity of this world-body; they teach concerning its breath­ing, concerning the pulsing of its heart.
And even as we can get from art to science or gnosis by means of symbols, so can we get from mind to mind and from Person to Person, - not personality, but the Higher Person or Mind.
But this world-body does not mean a mass of some vast size. This world-body has no definite size; it breathes and is a different size for every mode of breath. It is a node, rather. It is an / Page 191 / ' atom' ordered according to the greater cosmos; and in the greater cosmos the mystics say all things are the same size, or all things are any size, or, again, there is no such thing as size. It does not count in the greater consciousness, any more than we think of the' size' of our breath; though from another point of view, mystically considered, the objective worlds of size are in the breath of the Gods; they breathe and the worlds act, but the Gods do not consider their size.
It might thus be said that every man's world­body is the same size. They are all exactly alike; each is an 'atom,' each is a scale. It is our Great Person or Higher Self that decides what key the scale is in. This means that our Divine Word relates our group of 'letters,' or ' sounds,' or 'planets,' on to something further, and gives them a peculiar meaning of their own. Yet every world-body consists of the same letters, the same groups of sounds, otherwise the Holy Confraternity would be an impossibility.
All this is intimately connected with the mystery of Spirit or Divine Breath; so that when a man's mind is capable of being' fired' with Spirit, it can immediately mould and form
his substance into symbols. It is this power of continually forming man's substance into symbols which brings with it the power of understanding, / Page 192 / for symbols may be said to be the link between substance and Spirit.
It should be noted in this connection, that this language of symbols does not teach us about reincarnation; it is not on that side of things, and this interpretation cannot be forced upon it. Reincarnation is connected with the mind of man, and can be talked about in words; symbols depict the activities of Life in the man's world-body, and are not concerned with death, or form in activity, and the experiences of little persons.
Symbols have rather to do with that which is aeonian, or age-long. A true symbol must be of world-wide experience and age-long ex­perience; it must not be local or temporary.
Thus the only way to control the proteus of symbolism is by becoming him, and so keeping pace with every change, transformation, or metamorphosis; and if one is not as yet strong enough to grip the heart of the matter, at any rate it is something to know the futility of trying to get a true hold by grasping at this or that fleeting appearance.

Page 188. Notes. * The earliest redactor of the Naassene Document writes: "And the Chaldreans say that Soul is very difficult to discover and hard to understand; for it never remains of the same appearance, or form, or in the same state, so that one can describe it by a general type, or comprehend it by an essential quality." On this the Church Father Hippolytus comments, referring to the N aassenes, or Disciples of the Serpent of Wisdom: "These variegated metamorphoses they have laid down in the Gospel super­scribed 'According to the Egyptians.''' (See Thrice­greatest Hermes, i. 150.)

 

 

4
SIGN
49
22
4
3
AND
19
10
1
6
SYMBOL
86
23
5
13
First Total
154
55
10
1+3
Add to Reduce
1+5+4
5+5
1+0
4
Second Total
10
10
1
-
Reduce to Deduce
1+0
1+0
-
4
Essence of Number
1
1
1

 

 

S
=
1
4
SIGN
49
22
4
S
=
1
6
SYMBOL
86
23
5
``-
-
2
10
-
135
45
9
-
-
-
1+0
-
1+3+5
4+5
-
-
-
2
1
-
9
9
9

 

OSIRIS ISIS OSIRIS

CHRISTOS CHRIST SO SEE HERE IS THE CHRISTOS

 

6
CHRIST
77
30
3
-
CHRISTOS
-
-
-
2
SO
34
7
7
1
R
18
9
9
1
C
3
3
3
4
THIS
56
20
2
8
CHRISTOS
111
39
21
-
-
1+1+1
3+9
2+1
8
CHRISTOS
3
12
3
-
-
-
1+2
-
8
CHRISTOS
3
3
3

 

SO OSIRIS IRIS IS IS IRIS OSIRIS SO

SO THIS SIRIUS THIS SO

 

-
OSIRIS
-
-
-
2
SO
34
7
7
3
IRI
36
27
9
1
S
19
1
3
6
OSIRIS
89
35
21
-
-
8+9
3+5
2+1
6
OSIRIS
17
8
8
-
-
1+7
-
-
6
OSIRIS
8
8
8

 

OSIRIS = 89 8x9 = 72 = 8x9 89 = OSIRIS

 

 

-
SOTHIS
-
-
-
3
S+O+T
54
18
9
3
H+I+S
36
18
9
6
SOTHIS
90
36
18
-
-`
9+0
3+6
1+8
6
SOTHIS
9
9
9

 

IS SOTHIS SIRIUS IS IS SIRIUS SOTHIS IS

 

O
=
6
6
OSIRIS
89
35
8
I
=
9
4
ISIS
56
20
2
S
=
1
3
SET
44
17
8
-
-
16
13
-
189
72
18
-
-
1+6
1+3
-
1+8+9
7+2
1+8
-
-
7
4
-
18
9
9
-
-
-
-
-
1+8
-
-
-
-
7
4
-
9
9
9

 

 

6
SOTHIS
90
36
9
3
RED
27
18
9
6
SIRIUS
95
32
5

 

 

T
=
2
3
THE
33
15
6
D
=
4
3
DOG
26
17
8
S
=
1
4
STAR
58
13
4
-
-
7
10
-
117
45
18
-
-
-
1+0
-
1+1+7
4+5
1+8
-
-
7
1
-
9
9
9

 

 

 

 

5
ORION
71
35
8
6
OSIRIS
89
35
8
3
SAH
28
10
1
3
SPD
39
12
3
4
SPDT
59
14
5
4
SEPT
60
15
6
9
SEPTEMBER
103
40
4

 

 

4
ISIS
56
20
2
6
OSIRIS
89
35
8
5
ORION
71
35
8

 

 

 

-
-
-
-
-
OSIRIS
-
-
-
I
=
9
-
1
I
9
9
9
R
=
9
-
1
R
18
9
9
I
=
9
-
1
I
9
9
9
S
=
1
-
3
SOS
53
26
8
-
-
28
-
6
OSIRIS
89
53
35
-
-
2+8
-
-
-
8+9
5+3
3+5
-
-
10
-
6
OSIRIS
17
8
8
-
-
1+0
-
-
-
1+7
-
-
-
-
1
-
6
OSIRIS
8
8
8

 

 

-
-
-
-
-
OSIRIS
-
-
-
S
=
1
-
3
SO
34
16
7
I
=
9
-
1
I
9
9
9
R
=
9
-
1
R
18
9
9
I
=
9
-
1
IS
28
10
1
-
-
28
Q
6
OSIRIS
89
53
35
-
-
2+8
-
-
-
8+9
5+3
3+5
-
-
10
-
6
OSIRIS
17
8
8
-
-
1+0
-
-
-
1+7
-
-
-
-
1
-
6
OSIRIS
8
8
8

 

 

 

-
EGYPT
-
-
-
-
-
-
1
E
5
5
5
--
-
5
1
G
7
7
7
-
7
-
1
Y
25
7
7
-
7
-
1
P
16
7
7
-
7
-
1
T
20
2
2
--
-
2
5
EGYPT
73
28
28
-
21
7
-
-
7+3
2+8
2+8
-
2+1
-
5
EGYPT
10
10
10
--
3
7
-
-
1+0
1+0
1+0
-
-
-
5
EGYPT
1
7
7
--
3
7

 

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GREAT
51
24
6
P
=
7
-
7
PYRAMID
86
41
5
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GIZA
43
25
7
-
-
29
-
21
First Total
234
117
27
-
-
2+9
-
2+1
Add to Reduce
2+3+4
1+1+7
2+7
-
-
11
-
3
Second Total
9
9
9
-
-
1+1
-
-
Reduce to Deduce
-
-
-
-
-
2
-
3
Essence of Number
9
9
9

 

 

THE NEW VIEW OVER ATLANTIS

John Michell 1983

Page 150

"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,

PYRAMID = 86 = PYRAMID

PYRAMID = 41 = PYRAMID

PYRAMID = 5 = PYRAMID

Five is the number chiefly associated with the pyramid form; which has five faces and five corners,

 

 

-
-
-
-
-
PYRAMID
-
-
-
-
-
-
-
1
P+Y
41
14
5
-
-
-
-
1
R
18
9
9
-
-
-
-
1
A+M
14
5
5
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
D
4
4
P
=
7
-
7
PYRAMID
86
41
32
-
-
-
-
-
-
8+6
4+1
3+2
P
=
7
-
7
PYRAMID
14
5
5
-
-
-
-
-
-
1+4
-
-
P
=
7
-
7
PYRAMID
5
5
5

 

 

-
-
-
-
-
PYRAMID
-
-
-
-
-
-
-
1
P
16
7
7
-
-
-
-
1
Y
25
7
7
-
-
-
-
1
R
18
9
9
-
-
-
-
1
A
1
1
1
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
4
4
4
P
=
7
-
7
PYRAMID
86
41
41
-
-
-
-
-
-
8+6
4+1
4+1
P
=
7
-
7
PYRAMID
14
5
5
-
-
-
-
-
-
1+4
-
-
P
=
7
-
7
PYRAMID
5
5
5

 

P
=
7
-
7
PYRAMID
86
41
5
P
=
7
-
7
PHARAOH
67
40
4
-
-
14
-
14
Add to Reduce
153
81
9
-
-
1+4
-
1+4
Reduce to Deduce
1+5+3
8+1
1+8
-
-
5
-
5
Essence of Number
9
9
9

 

 

ENNEAD AND ENE AND ENNEAD

ENNEAD AND 555 AND ENNEAD

ENNEAD AND ENE AND ENNEAD

 

-
-
-
-
-
ENNEAD
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
2
A+D
5
5
5
E
=
5
-
6
ENNEAD
43
25
25
-
-
-
-
-
-
4+3
2+5
2+5
E
=
5
-
6
ENNEAD
7
7
7

 

 

ENTERS THE E THE E ENTERS

ENTERS THE FIVE THE FIVE ENTERS

 

 

Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html - Cached - Similar

 

What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 - Cached - Similar

 

Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]

"ETAON RISHD LFCMU GYPWB VKXJQ Z"

 

 

LOVE DIVINE GODS DIVINE LOVE

9 9 9 9 9 9 9 9 9666666666

THAT LIGHT THAT

 

 

THE

MAGIKALALPHABET

ISISIS

THE

ENGLISH ALPHABET

OF

CAPITAL LETTERS

TRANSPOSED INTO ROOT NUMBER

 

 

THE BULL OF MINOS

Leonard Cottrell 1953

Chapter VII

Page 90

THE QUEST CONTINUES

"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,

WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . . 

ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,

KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS

SUN 9 9 SUN

EARTH 7 7 EARTH

MOON 3 3 MOON

JUPITER 99 99 JUPITER

 

 

OM 6+4 = 10 1 + 0 = 1 = 10 = 6 + 4 = OM

 

 

I

ME

LIVING

MAGNETISM

POSITIVE + NEGATIVE

ISISIS MAAT IS IS MAAT ISISIS

I AM THAT EYE THAT EYE THAT AM I

I AM DROWNING ALWAYS DROWNING AM I

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181

ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE

X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X

ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA

ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS

 

 

THE TIME IS COMING AND NOW IS

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

.....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

9
LANGUAGES
87
33
6
3
AND
19
10
1
7
NUMBERS
92
29
2
19
-
198
72
9
1+9
-
1+9+8
7+2
-
10
-
18
9
9
1+0
-
1+8
-
-
1
-
9
9
9

 

 

THE GUINNESS ENCYCLOPEDIA

John Foley

1993

ALPHABETOLOGY

SIGNS AND SYMBOLS

Page 22

The most commonly used numerical symbols throughout the modern World; the so-called Arabic numerals

1 2 3 4 5 6 7 8 9

derive ultimately from a system developed by the Hindus in India sometime between the 3rd Century B,C. and 6th Century A.D.

The more rounded Western Arabic numerals were introduced into Spain by the Moors in the 10th Century.

The first European to take serious note of the new numeration was the French scholar Gerbert of Aurilliac (Pope Sylvester II from 999 to 1003) who had studied the system in Spain

The Hindus are also credited with the invention at some unknown date of the symbol for zero, which was first written as a small circle and later reduced to a large dot.

The nine Indian figures are : 9 8 7 6 5 4 3 2 1

With these nine figures and with the sign O any number may be written.

Leonardo of Pisa

Liber abaci

 

 

1234 5 6789

ONE TWO THREE FOUR 5FIVE5 SIX SEVEN EIGHT NINE

1234 5 6789 9876 5 4321

NINE EIGHT SEVEN SIX 5FIVE5 FOUR THREE TEO ONE

9876 5 4321

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
9
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
57
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+7
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
12
Second Total
23
14
15
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
2+3
1+4
1+5
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
ZERO
-
-
-
-
-
-
-
-
-
-
-
-
-
Z
=
8
-
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
28
-
4
ZERO
64
28
28
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ONE
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
16
-
3
ONE
34
16
16
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
TWO
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
13
-
3
TWO
58
13
13
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THREE
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
29
-
5
THREE
56
29
29
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FOUR
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
24
-
4
FOUR
60
24
24
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FIVE
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
24
-
4
FIVE
42
24
24
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SIX
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
-
-
16
-
3
SIX
52
25
16
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SEVEN
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
20
-
5
SEVEN
65
29
20
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
EIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
31
-
5
EIGHT
49
31
31
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
NINE
-
-
-
-
-
-
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
24
-
4
NINE
42
24
24
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
ZERO
-
-
-
-
-
-
-
-
-
-
-
-
-
Z
=
8
-
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
28
-
4
ZERO
64
28
28
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ONE
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
16
-
3
ONE
34
16
16
7
-
-
-
-
-
-
-
-
-
-
-
-
-
TWO
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
13
-
3
TWO
58
13
13
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THREE
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
29
-
5
THREE
56
29
29
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FOUR
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
24
-
4
FOUR
60
24
24
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FIVE
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
24
-
4
FIVE
42
24
24
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SIX
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
-
-
16
-
3
SIX
52
25
16
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SEVEN
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
20
-
5
SEVEN
65
29
20
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
EIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
31
-
5
EIGHT
49
31
31
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
NINE
-
-
-
-
-
-
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
24
-
4
NINE
42
24
24
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
Z
=
8
-
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
-
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

F
=
6
-
3
FOX
45
18
9
O
=
6
-
2
OF
21
12
3
F
=
6
-
5
FOXES
69
24
6
S
-
18
4
10
Add to Reduce
135
54
18
-
-
1+8
-``
1+0
Reduce to Deduce
1+3+5
5+4
1+8
S
-
9
4
1
Essence of Number
9
9
9

 

 

-
FOX
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
-
OF
-
-
-
1
O
15
6
6
1
F
6
6
6
-
FOXES
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
2
E+S
24
6
6

 

 

-
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
-
6
6
-
6
-
-
-
6
6
-
1
+
=
31
3+1
=
4
=
4
=
4
-
-
-
15
24
-
15
-
-
-
15
24
-
19
+
=
112
1+1+2
=
4
=
4
=
4
-
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
-
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
-
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
6
15
24
-
15
6
-
6
15
24
5
19
+
=
135
1+3+5
=
9
=
9
=
9
-
-
6
6
6
-
6
6
-
6
6
6
5
1
+
=
54
5+4
=
9
=
9
=
9
-
10
F
O
X
-
O
F
-
F
O
X
E
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
-
6
6
6
-
6
6
-
6
6
6
-
-
-
-
6
occurs
x
8
=
48
=
3
7
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
33
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
12
-
-
10
-
54
-
9
3+3
1+0
6
6
6
-
6
6
-
6
6
6
5
-
-
-
1+2
-
-
1+0
-
5+4
-
-
6
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9
-
-
6
6
6
-
6
6
-
6
6
6
5
1
T
-
-
-
-
-
-
-
-
-
6
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9

 

 

10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
6
6
-
6
-
-
-
6
6
-
1
+
=
31
3+1
=
4
=
4
=
4
-
-
15
24
-
15
-
-
-
15
24
-
19
+
=
112
1+1+2
=
4
=
4
=
4
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
6
15
24
-
15
6
-
6
15
24
5
19
+
=
135
1+3+5
=
9
=
9
=
9
-
6
6
6
-
6
6
-
6
6
6
5
1
+
=
54
5+4
=
9
=
9
=
9
10
F
O
X
-
O
F
-
F
O
X
E
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
6
6
6
-
6
6
-
6
6
6
-
-
-
-
6
occurs
x
8
=
48
=
3
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
12
-
-
10
-
54
-
9
1+0
6
6
6
-
6
6
-
6
6
6
5
-
-
-
1+2
-
-
1+0
-
5+4
-
-
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9
-
6
6
6
-
6
6
-
6
6
6
5
1
T
-
-
-
-
-
-
-
-
-
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9

 

 

T
=
2
-
3
THE
33
15
6
A
=
1
-
6
ANUBIS
66
21
3
-
-
3
Q
9
First Total
99
36
9
-
-
-
-
-
Add to Reduce
9+9
3+6
-
-
-
3
-
9
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
9
Essence of Number
9
9
9

 

ANUBIS A DOG FOX IS

ANUBIS A NUMBER IS

 

F
=
6
-
3
FOX
45
18
9
O
=
6
-
2
OF
21
12
3
F
=
6
-
5
FOXES
69
24
6
-
-
18
-
10
Add to Reduce
135
54
18
-
-
1+8
--
1+0
Reduce to Deduce
1+3+5
5+4
1+8
-
-
9
-
1
Essence of Number
9
9
9

 

 

-
FOX
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
-
OF
-
-
-
1
O
15
6
6
1
F
6
6
6
-
FOXES
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
2
E+S
24
6
6

 

 

1 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 1

2 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 2

3 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 3

4 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 4

5 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 5

6 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 6

7 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 7

8 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 8

9 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 9

10 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 10

11 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 11

12 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 14

13 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 4

14 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 14

15 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 15

16 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 16

17 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 17

18 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 18

19 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 19

20 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 20

21 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 21

22 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 22

23 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 23

24 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 24

25 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 25

26 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 26

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
2
-
Q
=
8
-
5
QUICK
61
25
7
-
-
-
-
-
-
-
7
-
-
3
-
B
=
2
-
5
BROWN
72
27
9
-
-
-
-
-
-
-
-
-
9
4
-
F
=
6
-
3
FOX
45
18
9
-
-
-
-
-
-
-
-
-
9
5
-
J
=
1
-
5
JUMPS
79
16
7
-
-
-
-
-
-
-
7
-
-
6
-
O
=
6
-
4
OVER
60
24
6
-
-
-
-
-
-
6
-
-
-
7
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
8
-
L
=
3
-
4
LAZY
64
19
1
-
1
-
-
-
-
-
-
-
-
9
-
D
=
4
-
3
DOG
26
17
8
-
-
-
-
-
-
-
-
8
-
45
-
-
-
34
-
35
Add
473
176
59
-
1
2
3
4
5
18
14
8
18
4+5
-
-
-
3+4
-
3+5
Reduce
4+7+3
1+7+6
5+9
-
-
-
-
-
-
1+8
1+4
-
1+8
9
-
-
-
7
4
8
Deduce
14
14
14
-
1
2
3
4
5
9
5
8
9
-
-
-
-
-
-
-
Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
8
Essence
5
5
14
-
1
2
3
4
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
Z
=
8
-
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

 

1 THE QUICK BROWN FOX JUMP1 OVER THE LAZY DOG 1

2 2HE QUICK BROWN FOX JUMPS OVER 2HE LAZY DOG 2

3 THE Q3I3K BROWN FOX J3MPS OVER THE 3AZY DOG 3

4 THE QUICK BROWN FOX JU4PS OVER THE LAZY 4OG 4

5 THE QUICK BRO55 FOX JUMPS OV5R TH5 LAZY DOG 5

6 THE QUICK BR6WN 666 JUMPS 6VER THE LAZY D6OG 6

7 THE QUICK BROWN FOX JUM7S OVER THE LAZ7 DO7 7

8 T8E 8UICK BROWN FOX JUMPS OVER T8E LA8Y DOG 8

9 THE QU9CK B9OWN FOX JUMPS OVE9 THE LAZY DOG 9

10 THE QUICK BROWN FOX JUMP1 OVER THE LAZY DOG 10

11 2HE QUICK BROWN FOX JUMPS OVER 2HE LAZY DOG 11

12 THE Q3I3K BROWN FOX J3MPS OVER THE 3AZY DOG 12

13 THE QUICK BROWN FOX JU4PS OVER THE LAZY 4OG 13

14 THE QUICK BRO55 FOX JUMPS OV5R TH5 LAZY DOG 14

15 THE QUICK BR6WN 666 JUMPS 6VER THE LAZY D6OG 15

16 THE QUICK BROWN FOX JUM7S OVER THE LAZ7 DO7 16

17 T8E 8UICK BROWN FOX JUMPS OVER T8E LA8Y DOG 17

18 THE QU9CK B9OWN FOX JUMPS OVE9 THE LAZY DOG 18

19 THE QUICK BROWN FOX JUMP1 OVER THE LAZY DOG 19

20 2HE QUICK BROWN FOX JUMPS OVER 2HE LAZY DOG 20

21 THE Q3I3K BROWN FOX J3MPS OVER THE 3AZY DOG 21

22 THE QUICK BROWN FOX JU4PS OVER THE LAZY 4OG 22

23 THE QUICK BRO55 FOX JUMPS OV5R TH5 LAZY DOG 23

24 THE QUICK BR6WN 666 JUMPS 6VER THE LAZY D6OG 24

25 THE QUICK BROWN FOX JUM7S OVER THE LAZ7 DO7 25

26 T8E 8UICK BROWN FOX JUMPS OVER T8E LA8Y DOG 26

 

 

The quick brown fox jumps over the lazy dog - Wikipedia ...
From Wikipedia, the free encyclopedia

"The quick brown fox jumps over the lazy dog" is an English-language pangram—a phrase that contains all of the letters of the alphabet.

"The quick brown fox jumps over the lazy dog" is an English-language pangram—a phrase that contains all of the letters of the alphabet. It is used to show fonts and to test typewriters and computer keyboards, and in other applications involving all of the letters in the English alphabet. Owing to its brevity and coherence, it has become widely known

History[edit]

The earliest known appearance of the phrase is from The Michigan School Moderator, a journal that provided many teachers with education-related news and suggestions for lessons.[1] In an article titled "Interesting Notes" in the March 14, 1885 issue, the phrase is given as a suggestion for writing practice: "The following sentence makes a good copy for practice, as it contains every letter of the alphabet: 'A quick brown fox jumps over the lazy dog.'"[2] Note that the phrase in this case begins with the word "A" rather than "The". Several other early sources also use this variation.

As the use of typewriters grew in the late 19th century, the phrase began appearing in typing and stenography lesson books as a practice sentence. Early examples of publications which used the phrase include Illustrative Shorthand by Linda Bronson (1888),[3] How to Become Expert in Typewriting: A Complete Instructor Designed Especially for the Remington Typewriter (1890),[4] and Typewriting Instructor and Stenographer's Hand-book (1892). By the turn of the 20th century, the phrase had become widely known. In the January 10, 1903, issue of Pitman's Phonetic Journal, it is referred to as "the well known memorized typing line embracing all the letters of the alphabet".[5] Robert Baden-Powell's book Scouting for Boys (1908) uses the phrase as a practice sentence for signaling.[6]

The first message sent on the Moscow–Washington hotline was the test phrase "THE QUICK BROWN FOX JUMPED OVER THE LAZY DOG'S BACK 1234567890".[7] Later, during testing, the Russian translators sent a message asking their American counterparts "What does it mean when your people say 'The quick brown fox jumped over the lazy dog?'"[8]

During the 20th century, technicians tested typewriters and teleprinters with repeated lines of "THE QUICK BROWN FOX..." sentence.[9]

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
2
-
Q
=
8
-
5
QUICK
61
25
7
-
-
-
-
-
-
-
7
-
-
3
-
B
=
2
-
5
BROWN
72
27
9
-
-
-
-
-
-
-
-
-
9
4
-
F
=
6
-
3
FOX
45
18
9
-
-
-
-
-
-
-
-
-
9
5
-
J
=
1
-
5
JUMPS
79
16
7
-
-
-
-
-
-
-
7
-
-
6
-
O
=
6
-
4
OVER
60
24
6
-
-
-
-
-
-
6
-
-
-
7
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
8
-
L
=
3
-
4
LAZY
64
19
1
-
1
-
-
-
-
-
-
-
-
9
-
D
=
4
-
3
DOG
26
17
8
-
-
-
-
-
-
-
-
8
-
45
-
-
-
34
-
35
Add
473
176
59
-
1
2
3
4
5
18
14
8
18
4+5
-
-
-
3+4
-
3+5
Reduce
4+7+3
1+7+6
5+9
-
-
-
-
-
-
1+8
1+4
-
1+8
9
-
-
-
7
4
8
Deduce
14
14
14
-
1
2
3
4
5
9
5
8
9
-
-
-
-
-
-
-
Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
8
Essence
5
5
14
-
1
2
3
4
5
9
5
8
9

 

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
Q
=
8
-
1
Q
17
8
8
-
-
-
-
-
-
-
-
8
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
J
=
1
-
1
J
10
1
1
-
1
-
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
Z
=
8
-
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
Y
=
5
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
V
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
34
-
35
First Total
473
176
59
-
3
8
12
12
25
36
21
32
27
-
-
3+4
-
3+5
Add to Reduce
4+7+3
1+7+6
5+9
-
-
-
1+2
1+2
2+5
3+6
2+1
3+2
2+7
-
-
7
4
8
Second Total
14
14
14
-
3
8
3
3
7
9
3
5
9
-
-
-
-
-
Reduce to Deduce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
Essence of Number
5
5
14
-
3
8
3
3
7
9
3
5
9

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
J
=
1
-
1
J
10
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
5
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
Q
=
8
-
1
Q
17
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
Z
=
8
-
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
34
-
35
First Total
473
176
59
-
3
8
12
12
25
36
21
32
27
-
-
3+4
-
3+5
Add to Reduce
4+7+3
1+7+6
5+9
-
-
-
1+2
1+2
2+5
3+6
2+1
3+2
2+7
-
-
7
4
8
Second Total
14
14
14
-
3
8
3
3
7
9
3
5
9
-
-
-
-
-
Reduce to Deduce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
Essence of Number
5
5
14
-
3
8
3
3
7
9
3
5
9

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

HURRAH FOR RAH FOR RAH HURRAH

 

 

T
=
2
-
3
THE
33
15
6
A
=
1
-
6
ANUBIS
66
21
3
-
-
3
Q
9
First Total
99
36
9
-
-
-
-
-
Add to Reduce
9+9
3+6
-
-
-
3
-
9
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
9
Essence of Number
9
9
9

 

 

-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
4
LOVE
54
18
18
-
-
5+4
1+8
1+8
4
LOVE
9
9
9
-
-
-
-
-
-
-
-
-
-
-
EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
6
EVOLVE
81
27
27
-
-
8+1
2+7
2+7
6
EVOLVE
9
9
9

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
-
-
1
-
3
Essence of Number
9
9
9

 

 

I

ME

REALITY

REAL = 9 9 = REAL

REALITY = 9 9 = REALITY

REVEALED = 9 9 = REVEALED

OUR REALITY = 9 9 = REALITY OUR

DIVINE THOUGHT GODS THOUGHT DIVINE

THOUGHT DIVINE 9 CREATORS 9 DIVINE THOUGHT

 

 

OSIRIS ISIS OSIRIS

CHRISTOS CHRIST SO SEE HERE IS THE CHRISTOS

 

6
CHRIST
77
30
3
-
CHRISTOS
-
-
-
2
SO
34
7
7
1
R
18
9
9
1
C
3
3
3
4
THIS
56
20
2
8
CHRISTOS
111
39
21
-
-
1+1+1
3+9
2+1
8
CHRISTOS
3
12
3
-
-
-
1+2
-
8
CHRISTOS
3
3
3

 

SO OSIRIS IRIS IS IS IRIS OSIRIS SO

SO THIS SIRIUS THIS SO

 

-
OSIRIS
-
-
-
2
SO
34
7
7
3
IRI
36
27
9
1
S
19
1
3
6
OSIRIS
89
35
21
-
-
8+9
3+5
2+1
6
OSIRIS
17
8
8
-
-
1+7
-
-
6
OSIRIS
8
8
8

 

OSIRIS = 89 8x9 = 72 = 8x9 89 = OSIRIS

 

 

LOVE DIVINE GODS DIVINE LOVE

9 9 9 9 9 9 9 9 9666666666

THAT LIGHT THAT

 

 

THE

MAGIKALALPHABET

ISISIS

THE

ENGLISH ALPHABET

OF

CAPITAL LETTERS

TRANSPOSED INTO ROOT NUMBER

 

 

THE BULL OF MINOS

Leonard Cottrell 1953

Chapter VII

Page 90

THE QUEST CONTINUES

"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,

WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . . 

ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,

KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS

 

 

SUN 9 9 SUN

EARTH 7 7 EARTH

MOON 3 3 MOON

JUPITER 99 99 JUPITER

 

 

OM 6+4 = 10 1 + 0 = 1 = 10 = 6 + 4 = OM

 

 

I

ME

LIVING

MAGNETISM

POSITIVE + NEGATIVE

ISISIS MAAT IS IS MAAT ISISIS

I AM THAT EYE THAT EYE THAT AM I

I AM DROWNING ALWAYS DROWNING AM I

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181

ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE

X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X

ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA

ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS

 

 

THE TIME IS COMING AND NOW IS

 

 

P
=
7
-
-
PTOLEMY
-
-
-
-
-
-
-
2
P+T
36
9
9
-
-
-
-
2
O+L
27
9
9
-
-
-
-
2
E+M
18
9
9
-
-
-
-
1
Y
25
7
7
P
=
7
-
7
PTOLEMY
106
34
34
-
-
-
-
-
-
9+5
3+4
3+4
P
=
7
-
7
PTOLEMY
7
7
7
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PTOLEMY
7
7
7

 


Ptolemy

ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm

Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the

 

Well do I know that I am mortal, a creature of one day.
But if my mind follows the winding paths of the stars
Then my feet no longer rest on earth, but standing by
Zeus himself I take my fill of ambrosia, the divine dish.

- Ptolemy's epigram, from the Almagest, probably written by himself

 

 

P
=
7
-
-
PTOLEMY
-
-
-
-
-
-
-
1
P
16
7
7
-
-
-
-
1
T
20
2
2
-
-
-
-
1
O
15
6
6
-
-
-
-
1
L
12
3
3
-
-
-
-
1
E
5
5
5
-
-
-
-
1
M
13
4
4
-
-
-
-
1
Y
25
7
7
P
=
7
-
7
PTOLEMY
106
34
34
-
-
-
-
-
-
1+0+6
3+4
3+4
P
=
7
-
7
PTOLEMY
7
7
7
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PTOLEMY
7
7
7

 

 

Ptolemies - Livius

www.livius.org › index › ancient Greeceancient Egypt

This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.

In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.

The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same.

"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "

The fourteen kings of this dynasty were all called Ptolemy

 

P
=
7
-
-
PTOLEMY
-
-
-
-
-
-
-
2
P+T
36
9
9
-
-
-
-
2
O+L
27
9
9
-
-
-
-
2
E+M
18
9
9
-
-
-
-
1
Y
25
7
7
P
=
7
-
7
PTOLEMY
106
34
34
-
-
-
-
-
-
1+0+6
3+4
3+4
P
=
7
-
7
PTOLEMY
7
7
7
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PTOLEMY
7
7
7

 

The fourteen kings of this dynasty were all called Ptolemy

1
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
2
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
3
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
4
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
5
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
6
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
7
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
8
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
9
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
10
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
11
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
12
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
13
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
14
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1484
476
238
-
-
-
-
-
-
-
-
1+4+8+4
4+7+6
2+3+8
-
-
-
-
-
-
-
-
17
17
17
-
-
-
-
-
-
-
-
1+7
1+7
1+7
-
-
-
-
-
-
-
-
8
8
8

 

 

"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "

 

1
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
2
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
3
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
4
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
5
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
6
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
7
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
637
259
7
-
-
-
-
-
-
-
-
6+3+7
2+5+9
-
-
-
-
-
-
-
-
-
16
16
7
-
-
-
-
-
-
-
-
1+6
1+6
-
-
-
-
-
-
-
-
-
7
7
7

 

 

"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "

1
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
2
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
3
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
4
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
244
172
28
-
-
-
-
-
-
-
-
2+4+4
1+7+2
2+8
-
-
-
-
-
-
-
-
10
10
10
-
-
-
-
-
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
1
1
1

 

 

B
=
2
-
8
BERENICE
61
43
7
P
=
7
-
7
PTOLEMY
106
34
7
C
=
3
-
9
CLEOPATRA
91
37
1

 

 

Egypt's Making: The Origins of Ancient Egypt ...

librarum.org/book/37754/270

Page 270

The land contiguous to the original island was called Wetjeset-Neter. Other names by which the island was known in the beginning, as well as the Island of ...

 

W
=
5
-
-
WETJESET
-
-
-
N
=
5
-
-
NETER
-
-
-
-
-
-
-
1
W
23
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
J
10
1
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
W
=
5
-
8
WETJESET
107
35
26
N
=
5
-
-
NETER
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
N
=
5
-
5
NETER
62
26
26
W
=
5
-
-
WETJESET
-
-
-
-
-
10
-
13
First Total
169
61
52
-
-
1+0
-
1+3
Add to Reduce
1+6+9
6+1
5+2
-
-
1
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
1
-
4
Essence of Number
7
7
4

 

 

The Messianic Temple

By: Austin, Allen 2011

"The Earliest Egyptian creation stories are not just similar to the book of Genesis, they are the same; in time they became convoluted, conflated and disconnected from their ancient past. Taking the Bible at its word, my research revealed some astonishing facts concerning the Egyptian Zep Tepi, or creation story. Did you know it contains the story of Adam and Eve? They are called Wa and Aa and were led out of the Djeba domain (Paradise) to the Wetjeset-Neter domain (Our Reality) because of the snake, the Great Leaping One. It also states the world was destroyed by a global flood and when the primeval waters receded, the Shebtiw (Noah's family) began rebuilding the world. It doesn't end there; there are more perfect parallels to the creation stories in Genesis and Early Jewish Writings."

 

 

W
=
5
-
-
WETJESET
-
-
-
N
=
5
-
-
NETER
-
-
-
-
-
-
-
1
W
23
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
J
10
1
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
W
=
5
-
8
WETJESET
107
35
26
N
=
5
-
-
NETER
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
N
=
5
-
5
NETER
62
26
26
W
=
5
-
-
WETJESET
-
-
-
-
-
10
-
13
First Total
169
61
52
-
-
1+0
-
1+3
Add to Reduce
1+6+9
6+1
5+2
-
-
1
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
1
-
4
Essence of Number
7
7
4

 

 

W
=
5
-
-
WETJESET
-
-
-
N
=
5
-
-
NETER
-
-
-
-
-
-
-
1
W
23
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
J
10
1
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
N
=
5
-
-
NETER
-
-
-
W
=
5
-
-
WETJESET
-
-
-
-
-
10
-
13
First Total
169
61
52
-
-
1+0
-
1+3
Add to Reduce
1+6+9
6+1
5+2
-
-
1
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
1
-
4
Essence of Number
7
7
4

 

 

W
=
5
-
-
WETJESET
-
-
-
N
=
5
-
-
NETER
-
-
-
-
-
-
-
1
J
10
1
1
-
-
-
-
1
S
19
10
1
-
-
-
-
1
T
20
2
2
-
-
-
-
1
T
20
2
2
-
-
-
-
1
T
20
2
2
-
-
-
-
1
W
23
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
N
=
5
-
-
NETER
-
-
-
W
=
5
-
-
WETJESET
-
-
-
-
-
10
-
13
First Total
169
61
52
-
-
1+0
-
1+3
Add to Reduce
1+6+9
6+1
5+2
-
-
1
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
1
-
4
Essence of Number
7
7
4

 

 

W
=
5
-
8
WETJESET
107
35
8
N
=
5
-
5
NETER
62
26
8
-
-
10
-
13
First Total
169
61
52
-
-
1+0
-
1+3
Add to Reduce
1+6+9
6+1
5+2
-
-
1
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
1
-
4
Essence of Number
7
7
7

 

ENTERS THE NETERS

 

 

GODS OF EDEN

Egypt's Lost Legacy and the Genesis of Civilization

Andrew Collins 1998


THE DIVINE SOULS

Page 162

How might we explain Akhenaten's strange fascination with the benben-stone? What did it mean to him, and why did he feel it necessary to place within the heart of his temple complexes cult objects that could easily have been construed as idolatrous fetish stones? As Egyptologist Donald Redford felt obliged to comment on this subject:
That Amenophis iv should, in the light of his well-attested aversion to polytheistic symbolism in mythology, have permitted this icon to a naive account of creation to find a prominent place in his thinking, is strange to say the least. Obviously the bnbn did not conjure up for the king the objectionable connections with mythology that we might have expected.35
To understand Akhenaten's reverence of the benben-stone we must look at exactly what this cult object meant to the Ancient Egyptians. In very basic terms it was the crystallisation of the primeval mound, or hill — the first solid ground that emerged from the primeval ocean in the darkness that preceded the light of the first morning. It was a representation of the djed-pillar, or perch, on which the primeval god Atum, a role adopted later by Re, was able to effect acts of creation in the world.36 A more detailed description of the benben-stone is given in the Pyramid Texts, found inscribed on the tomb walls of various Fifth- and Sixth-Dynasty pyramids, such as the Pyramid of Unas (c. 2370-2340 Bc) at Saqqara. This extraordinary collection of cosmological writings and magical spells constitutes what is perhaps the oldest body /Page 163/ of magical-religious material anywhere in the world. More significantly, Egyptian language scholar RT. Rundle Clark concluded that they were composed 'in the main' by the astronomer-priests of Heliopolis.37 Their repeated references to the solar cult ofAtum-Re and Annu (Heliopolis), as well as their direct connection with the kings and pyramids of Old Kingdom times, all point clearly towards a Heliopolitan origin for this material.
The original benben-stone positioned on a stone pillar in the court adjoining the Mansion of the Benben at Heliopolis was in effect a marker that symbolised the Point of First Creation, the place of sep tepi, the First Time, where the initial group of nine netjeru gods, known in Heliopolitan tradition as the Great Ennead, made their entry into the world. In time, these divine beings were followed by a second group of nine gods known as the Lesser Ennead, who were in turn followed by a third and final group of nine variable gods. Finally, these were replaced by a further group of 'mythical' individuals known in the Pyramid Texts as the Divine Souls.38
Egyptologist Abdel-Aziz Saleh recorded in his definitive work Excavations at Heliopolis that the Divine Souls are to be equated with the Shemsu-hor, who he described as 'the pre-dynastic lords, or monarchs, of the city'.39 These demi-gods were, he wrote, viewed by the priests of Heliopolis as the true founders of its first physical temple, known as the Mansion of the Princes or the Mansion of the Nobles.40 Indeed, the priesthood would seem to have been convinced that the Divine Souls had ruled from Heliopolis and its environs during a golden age prior to the coming of the mortal Horus-kings.41
To these astronomer-priests of great wisdom and understanding, such concepts were not simply myths;

Page 163

The original benben-stone positioned on a stone pillar in the court adjoining the Mansion of the Benben at Heliopolis was in effect a marker that symbolised the Point of First Creation, the place of sep tepi, the First Time, where the initial group of nine netjeru gods, known in Heliopolitan tradition as the Great Ennead, made their entry into the world. In time, these divine beings were followed by a second group of nine gods known as the Lesser Ennead, who were in turn followed by a third and final group of nine variable gods.

 

SEP TEPI 108-36-9 9-36-108 SEP TEPI

 

 

-
-
-
-
-
SEP TEPI
-
-
-
S
=
1
-
3
SEP
58
13
4
T
=
2
-
4
TEPI
50
23
5
-
-
3
-
7
SEP TEPI
108
36
9
-
-
-
-
-
-
1+0+8
3+6
-
-
-
3
-
7
SEP TEPI
9
9
9
-
-
-
-
-
-
-
-
-
-
-
3
-
7
SEP TEPI
9
9
9

 


ATLANTIS - a leading worldwide disaster myth. VIIb - Disaster ...

disasterarchaeology.ning.com/forum/.../atlantis-a-leading-worldwide-72

4 Jun 2010 - The mythological substratum of Atlantis. Part II ∙ Sep Tepi The ancient Egyptians had a concept they called the Sep Tepi (First Time), meaning ...

Sep Tepi
The ancient Egyptians had a concept they called the Sep Tepi (First Time), meaning the primordial golden age of the gods. According to the Egyptians’ own legends, the dynastic Egyptians enjoyed the exceptionally advanced technologies and mystical systems , which were actually the legacy of this elder culture, ended by a fierce catatstrophe. The Edfu building texts (Andrew Collins, The Gods of Eden) record the history of the Sep Tepi as it was passed down among the ancient priesthood. The texts describe a temple surrounded by a possibly man-made channel of water with a nearby field of reeds. This is called the Island of the Egg, and it is associated with the point of First Creation, or the Island of the Twin Flames. Divine pillars (djed pillars), were situated around a sacred domain here called the Wadjeset-Hor or Wadjeset-Neter (homeland), the original divine inhabitants of which numbered 60, along with the Sages and an enigmatic figure known simply as “This One (embodied bird). Then, the Eye wreaked destruction on enemy and allies alike, causing mass devastation. The first temple was destroyed and all the inhabitants died. There is a period of darkness where death and decay are everywhere, and the Island of the Egg is now renamed, being given titles like the Island of Combat, the Island of Trampling, and the Island of Peace. This is the end of the First Age, or Sep Tepi. Then, a second generation of divine inhabitants reclaimed this sacred area, the Shebtu (ogdoad of builder-gods). They inexplicably sailed away to another part of the world to continue their task of rebuilding. As time passed, the divine inhabitants of the Wadjeset-Neter were replaced by the Shemsu-Hor ( “Followers of Horus”), semi-divine beings who ruled pre-dynastic Egypt and, eventually by the Horus-kings of the First Dynasty circa 3100 BC. The ancient historian Manetho described a period of about 25 ky before the rise of Menes, first king of the First Dynastic period in Egypt. The first rulers were the gods themselves, particularly Horus, who ruled for a period of about 13 kya. Herodotus records that 11,340 years have passed since the reign of the first Pharaoh, placing the beginning of that reign in the 12th millennium. It is likely that this first Pharaoh was included among the Shemsu-Hor, who were recognized as being demi-divine like the later Horus-kings. Circa 3100 BC, Hor-Aha (Menes), united the Upper and Lower Egypt initiating the First Dynastic Period.

 

 

-
-
-
-
-
SEP TEPI
-
-
-
S
=
1
-
3
SEP
58
13
4
T
=
2
-
4
TEPI
50
23
5
-
-
3
-
7
SEP TEPI
108
36
9
-
-
-
-
-
-
1+0+8
3+6
-
-
-
3
-
7
SEP TEPI
9
9
9
-
-
-
-
-
-
-
-
-
-
-
3
-
7
SEP TEPI
9
9
9

 

 

-
-
-
-
-
ZEP TEPI
-
-
-
Z
=
8
-
3
ZEP
47
20
2
T
=
2
-
4
TEPI
50
23
5
-
-
10
-
7
ZEP TEPI
97
43
9
-
-
1+0
-
-
-
9+7
4+3
1+6
-
-
3
-
7
ZEP TEPI
16
7
7
-
-
-
-
-
-
1+6
-
-
-
-
3
-
7
ZEP TEPI
7
7
7

 

 

FINGERPRINTS

OF

THE

GODS

Graham Hancock

1995

Chapter 43

Looking for the First Time

Page 403

Here is what the Ancient Egyptians said about the First Time, Zep Tepi, when the gods ruled in their country: they said it was a golden age' during which the waters of the abyss receded, the primordial , darkness was banished, and humanity, emerging into the light, was offered the gifts of civilization.' They spoke also of intermediaries between gods and men — the Urshu, a category of lesser divinities whose title meant 'the Watchers'.3 And they preserved particularly vivid recollections of the gods themselves, puissant and beautiful beings called the Neteru who lived on earth with humankind and exercised their sovereignty from Heliopolis and other sanctuaries up and down the Nile. Some of these Neteru were male and some female but all possessed a range of supernatural powers which included the ability to appear, at will, as men or women, or as animals, birds, reptiles, trees or plants. Paradoxically, their words and deeds seem to have reflected human passions and preoccupations. Likewise, although they were portrayed as stronger and more intelligent than humans, it was believed that they could grow sick — or even die, or be killed — under certain circumstances.'
Records of prehistory
Archaeologists are adamant that the epoch of the gods, which the Ancient Egyptians, called the First Time, is nothing more than a /page 404/myth.

 

 

FINGERPRINTS

OF

THE

GODS

Graham Hancock

1995

 Page 411(number omitted)

GODS OF THE FIRST TIME

"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .

I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .

I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

 

 

Tantalus - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Tantalus

Tantalus (Ancient Greek: Τάνταλος, Tántalos) was a Greek mythological figure, most famous for his eternal punishment in Tartarus. He was made to stand in a ...

Tantalus

From Wikipedia, the free encyclopedia

Not to be confused with Tantalus (son of Broteas).

Karagöl ("The black lake") in Mount Yamanlar, İzmir, Turkey, associated with the accounts surrounding Tantalus and named after him as "Lake Tantalus".
Tantalus (Ancient Greek: Τάνταλος, Tántalos) was a Greek mythological figure, most famous for his eternal punishment in Tartarus. He was made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he could take a drink. He was the father of Pelops, Niobe and Broteas, and was a son of Zeus[1] and the nymph Plouto. Thus, like other heroes in Greek mythology such as Theseus and the Dioskouroi, Tantalus had both a hidden, divine parent and a mortal one.

In mythology, Tantalus became one of the inhabitants of Tartarus, the deepest portion of the Underworld, reserved for the punishment of evildoers; there Odysseus saw him.[16] The association of Tantalus with the underworld is underscored by the names of his mother Plouto ("riches", as in gold and other mineral wealth), and grandmother, Chthonia ("earth").

Tantalus was initially known for having been welcomed to Zeus' table in Olympus, like Ixion. There he is said to have misbehaved and stolen ambrosia and nectar to bring it back to his people,[17] and revealed the secrets of the gods.[18]

Most famously, Tantalus offered up his son, Pelops, as a sacrifice. He cut Pelops up, boiled him, and served him up in a banquet for the gods. The gods became aware of the gruesome nature of the menu, so they did not touch the offering; only Demeter, distraught by the loss of her daughter, Persephone, absentmindedly ate part of the boy's shoulder. Clotho, one of the three Fates, ordered by Zeus, brought the boy to life again (she collected the parts of the body and boiled them in a sacred cauldron), rebuilding his shoulder with one wrought of ivory made by Hephaestus and presented by Demeter. The revived Pelops grew to be an extraordinarily handsome youth. The god Poseidon took him to Mount Olympus to teach him to use chariots. Later, Zeus threw Pelops out of Olympus due to his anger at Tantalus. The Greeks of classical times claimed to be horrified by Tantalus's doings; cannibalism and kin slaying were atrocities and taboo.

Tantalus's punishment for his act, now a proverbial term for temptation without satisfaction (the source of the English word tantalise[19]), was to stand in a pool of water beneath a fruit tree with low branches. Whenever he reached for the fruit, the branches raised his intended meal from his grasp. Whenever he bent down to get a drink, the water receded before he could get any. Over his head towers a threatening stone like the one that Sisyphus is punished to roll up a hill.[20] This fate has cursed him with eternal deprivation of nourishment.

In a different story, Tantalus was blamed for indirectly having stolen the dog made of gold created by Hephaestus (god of metals and smithing) for Rhea to watch over infant Zeus. Tantalus's friend Pandareus stole the dog and gave it to Tantalus for safekeeping. When asked later by Pandareus to return the dog, Tantalus denied that he had it, saying he "had neither seen nor heard of a golden dog." According to Robert Graves, this incident is why an enormous stone hangs over Tantalus's head. Others state that it was Tantalus who stole the dog, and gave it to Pandareus for safekeeping.

Tantalus was also the founder of the cursed House of Atreus in which variations on these atrocities continued. Misfortunes also occurred as a result of these acts, making the house the subject of many Greek tragedies. Tantalus's grave-sanctuary stood on Sipylus[21] but honours were paid him at Argos, where local tradition claimed to possess his bones.[22] In Lesbos, there was another hero-shrine in the small settlement of Polion and a mountain named after Tantalos

 

T
=
2
-
-
TANTALUS
-
-
-
-
-
-
-
1
T
20
2
2
-
-
-
-
1
A
1
1
1
-
-
-
-
1
N
14
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
A
1
1
1
-
-
-
-
1
L
12
3
3
-
-
-
-
1
U
21
3
3
-
-
-
-
1
S
19
10
1
T
=
2
-
8
TANTALUS
108
27
18
-
-
-
-
-
-
1+0+8
2+7
1+8
T
=
2
-
8
TANTALUS
9
9
9
-
-
-
-
-
-
-
-
-
T
=
2
-
8
TANTALUS
9
9
9

 

 


THE MAGIC MOUNTAIN

Thomas Mann

1875 1955

MOUNTING MISGIVINGS

Page 150

I'm cheated right and left? ' And more of the same kind. I am at the end of my patience. And opposite me I have a poor creature, with churchyard roses blooming in her cheeks, an old maid from Sieben-burgen, who never stops talking about her brother-in-law, a man we none of us either know or wish to know. I could stand it no longer, I shook their dust from my feet, I bolted."
"You raised your flag and took to your heels," Frau Stohr stated.
" Precisely," shouted Settembrini. "I fled with my flag. All, what an apt phrase! I see I have come to the right place; nobody else here knows how to coin phrases like that. - May I be permitted to inquire after the state of your health, Frau Stohr?
It was frightful to see Frau Stohr preen herself.
" Good land! "she said. "It is always the same, you know your-self: two steps forward and three back. When you have been sitting here five months, along comes the old man and tucks on an-other six. It is like the torment of Tantalus: you shove and shove, and think you are getting to the top -"
" Ah, how delightful of you, to give poor old Tantalus a new job, and let him roll the stone uphill for a change! I call that true
benevolence. - But what are these mysterious reports I have been hearing of you, Frau Stohr? There are tales going about - tales about doubles, astral bodies, and the like. Up to now I have lent them no credence - but this latest story puzzles me, I confess."

 

 

Ezekiel 38:2King James Version (KJV)

2 Son of man, set thy face against Gog, the land of Magog, the chief prince of Meshech and Tubal, and prophesy against him

 

 

THE

PACES IN SPACE

 

3
THE
33
15
6
5
PACES
44
17
8
2
IN
23
14
5
5
SPACE
44
17
8
15
-
144
63
27
1+5
-
1+4+4
6+3
2+7
6
-
9
9
9

 

 

A SPACE ODYSSEY

 

Arthur C. Clarke

www.mprinstitute.org/vaclav/Clarke.htm‎

Other cultures, forced by their surroundings to be aware of Time, have become obsessed by it..." (Arthur C. Clarke: ... (Arthur C. Clarke: All the Time in the World,

I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but to wait.
I do not think we will have to wait for long "The Sentinel" (1948), originally titled "Sentinel of Eternity" this is the short story which later provided the fundamental ideas for 2001: A Space Odyssey (1968) written by Clarke and Stanley Kubrick

 

M
=
4
-
-
MIND
-
-
-
M
=
4
-
-
MATTER
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
D
4
4
4
-
-
-
-
1
M
13
4
4
-
-
-
-
1
A
1
1
1
-
-
-
-
1
T
20
2
2
-
-
-
-
1
T
20
2
2
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
M
=
4
-
-
MATTER
-
-
-
M
=
4
-
-
MIND
-
-
-
-
-
-
-
10
-
117
45
45
-
-
-
-
1+0
-
1+1+7
4+5
4+5
-
-
-
-
1
-
9
9
9
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
9
9
9

 

 

M
=
4
-
4
MIND
40
22
4
M
=
4
-
6
MATTER
77
23
5
-
-
8
-
10
-
117
45
9
-
-
-
-
1+0
-
1+1+7
4+5
-
-
-
8
-
1
-
9
9
9

 

 

1
I
9
9
9
4
THAT
49
13
4
2
AM
14
5
5
11
TERRESTRIAL
145
55
1
16
EXTRATERRESTRIAL
213
78
6
3
AND
19
10
1
9
CELESTIAL
86
32
5
2
AM
14
5
5
1
I
9
9
9
49
First Total
558
216
45
4+9
Add to Reduce
5+5+8
2+1+6
4+5
13
Second Total
18
9
9
1+3
Reduce to Deduce
1+8
-
-
4
Essence of Number
9
9
9

 

 

I

THAT

AM

THAT

TIME EMIT

 

 

M
=
4
-
-
MES KHENT
-
-
-
-
-
-
-
2
M+E
18
9
9
-
-
-
-
1
S
19
10
1
-
-
-
-
1
K
11
2
2
-
-
-
-
2
H+E+N
27
9
9
-
-
-
-
1
T
20
2
2
M
=
4
-
9
MES KHENT
95
32
23
-
-
-
-
-
-
9+5
3+2
2+3
M
=
4
-
9
MES KHENT
5
5
5
-
-
-
-
-
-
-
-
-
M
=
4
-
9
MES KHENT
5
5
5

 

 

M
=
4
-
-
MES KHENT
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
-
-
-
-
1
K
11
2
2
-
-
-
-
1
H
8
8
8
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
T
20
2
2
M
=
4
-
9
MES KHENT
95
32
23
-
-
-
-
-
-
9+5
3+2
2+3
M
=
4
-
9
MES KHENT
5
5
5
-
-
-
-
-
-
-
-
-
M
=
4
-
9
MES KHENT
5
5
5

 

 

S
=
1
-
-
SURROUND
-
-
-
-
-
-
-
1
U
21
3
3
-
-
-
-
1
R
18
9
9
-
-
-
-
1
R
18
9
9
-
-
-
-
5
S+O+U+N+D
73
19
1
S
=
1
-
8
SURROUND
130
40
22
-
-
-
-
-
-
1+3+0
4+0
2+2
S
=
1
-
8
SURROUND
4
13
4
-
-
-
-
-
-
-
1+3
1+3
S
=
1
-
8
SURROUND
4
4
4

 

 

S
=
1
-
-
SURROUNDS
-
-
-
-
-
-
-
2
U
21
3
3
-
-
-
-
1
R
18
9
9
-
-
-
-
1
R
18
9
9
-
-
-
-
5
S+O+U+N+D+S
92
29
2
S
=
1
-
8
SURROUND
149
50
23
-
-
-
-
-
-
1+4+9
5+0
2+3
S
=
1
-
8
SURROUND
14
5
5
-
-
-
-
-
-
1+4
-
-
S
=
1
-
8
SURROUND
5
5
5

 

 

P
=
7
-
-
PERSEPHONE
-
-
-
-
-
-
-
1
P
16
7
7
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
P
16
7
7
-
-
-
-
1
H
8
8
8
-
-
-
-
1
O
15
6
6
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
P
=
7
-
9
PERSEPHONE
121
58
49
-
-
-
-
-
-
1+2+1
5+8
4+9
P
=
7
-
9
PERSEPHONE
4
13
13
-
-
-
-
-
-
-
1+3
1+3
P
=
7
-
9
PERSEPHONE
4
4
4

 

 

P
=
7
-
-
PERSEPHONE
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
O
15
6
6
-
-
-
-
1
P
16
7
7
-
-
-
-
1
P
16
7
7
-
-
-
-
1
H
8
8
8
-
-
-
-
1
R
18
9
9
P
=
7
-
9
PERSEPHONE
121
58
49
-
-
-
-
-
-
1+2+1
5+8
4+9
P
=
7
-
9
PERSEPHONE
4
13
13
-
-
-
-
-
-
-
1+3
1+3
P
=
7
-
9
PERSEPHONE
4
4
4

 

 

14
METEMPSYCHOSIS
-
-
-
-
M+E
18
9
9
-
T
20
2
2
-
E+M
18
9
9
-
P+S+Y+C
63
27
9
-
H+O+S
42
24
6
-
I
9
9
9
-
S
19
10
1
14
METEMPSYCHOSIS
189
90
45
1+4
-
1+8+9
9+0
4+5
-
-
18
9
9
-
-
1+8
-
-
5
METEMPSYCHOSIS
9
9
9

 

 

14
METEMPSYCHOSIS
-
-
-
-
M+E+T+E+M+P
72
27
9
-
S+Y+C+H+O+S
89
44
8
-
I
9
9
9
-
S
19
10
1
1+4
METEMPSYCHOSIS
189
90
27
-
-
1+8+9
9+0
2+7
-
-
18
9
9
-
-
1+8
-
-
5
METEMPSYCHOSIS
9
9
9

 

 

-
METEMPSYCHOSIS
-
-
-
-
-
-
-
-
-
I
9
9
9
-
M+E
18
9
9
-
-
-
-
-
-
-
-
METEMPSYCHOSIS
-
-
-
-
M+E
18
9
9
-
T+E+M
38
11
2
-
P+S+Y+C+H+O+S+I+S
133
70
7
14
METEMPSYCHOSIS
189
90
18
1+4
-
1+8+9
9+0
1+8
-
-
18
9
9
-
-
1+8
-
-
5
METEMPSYCHOSIS
9
9
9

 

 

-
14
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
26
-
-
-
-
-
-
-
1
-
-
8
6
1
9
1
+
=
26
2+6
=
8
=
8
=
8
89
-
-
-
-
-
-
-
19
-
-
8
15
19
9
19
+
=
89
8+9
=
17
1+7
8
=
8
-
14
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
37
-
4
5
2
5
4
7
-
7
3
-
-
-
-
-
+
=
37
3+7
=
10
1+0
1
=
1
100
-
13
5
20
5
13
16
-
25
3
-
-
-
-
-
+
=
100
1+0+0
=
1
-
1
=
1
-
14
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
189
-
13
5
20
5
13
16
19
25
3
8
15
19
9
19
+
=
189
1+8+9
=
18
1+8
9
=
9
63
-
4
5
2
5
4
7
1
7
3
8
6
1
9
1
+
=
63
6+3
=
9
-
9
=
9
-
14
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
2
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
4
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
5
-
-
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
=
1
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
7
-
7
-
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
45
14
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
45
-
-
14
-
63
-
45
4+5
1+4
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
4+5
-
-
1+4
-
6+3
-
4+5
9
5
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
9
-
-
5
-
9
-
9
-
-
4
5
2
5
4
7
1
7
3
8
6
1
9
1
-
-
-
-
-
-
-
-
-
-
9
5
M
E
T
E
M
P
S
Y
C
H
O
S
I
S
-
-
9
-
-
5
-
9
-
9

 

 

13
METAMORPHOSIS
-
-
-
-
M+E
18
9
9
-
T+A
21
3
3
-
M+O
28
10
1
-
R
18
9
9
-
P+H+O+S
58
22
4
-
I
9
9
9
-
S
19
1
1
13
METAMORPHOSIS
171
63
45
1+3
-
1+7+1
6+3
4+5
4
-METAMORPHOSIS
9
9
9

 

 

-
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-`
6
-
-
8
6
1
9
1
+
=
31
3+1
=
4
=
4
=
4
-
-
-
-
-
-
-
15
-
-
8
15
19
9
19
+
=
85
8+5
=
13
1+3
4
=
4
-
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
-
4
5
2
1
4
-
9
7
-
-
-
-
-
+
=
32
3+2
=
5
=
5
=
5
-
-
13
5
20
1
13
-
18
16
-
-
-
-
-
+
=
86
8+6
=
14
1+4
5
=
5
-
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
-
13
5
20
1
13
15
18
16
8
15
19
9
19
+
=
171
1+7+1
=
9
=
9
=
9
-
-
4
5
2
1
4
6
9
7
8
6
1
9
1
+
=
63
6+3
=
9
=
9
=
9
-
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
4
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
6
-
-
-
6
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
3
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
42
-
-
13
-
63
-
45
-
1+3
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
4+2
-
-
1+3
-
6+3
-
4+5
3
4
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
6
-
-
4
-
9
-
9
-
-
4
5
2
1
4
6
9
7
8
6
1
9
1
-
-
--
-
-
--
-
-
-
-
3
4
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
6
-
-
4
-
9
-
9

 

 

13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-`
6
-
-
8
6
1
9
1
+
=
31
3+1
=
4
=
4
=
4
-
-
-
-
-
-
15
-
-
8
15
19
9
19
+
=
85
8+5
=
13
1+3
4
=
4
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
4
5
2
1
4
-
9
7
-
-
-
-
-
+
=
32
3+2
=
5
=
5
=
5
-
13
5
20
1
13
-
18
16
-
-
-
-
-
+
=
86
8+6
=
14
1+4
5
=
5
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
13
5
20
1
13
15
18
16
8
15
19
9
19
+
=
171
1+7+1
=
9
=
9
=
9
-
4
5
2
1
4
6
9
7
8
6
1
9
1
+
=
63
6+3
=
9
=
9
=
9
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
4
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
6
-
-
-
6
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
13
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
42
-
-
13
-
63
-
45
1+3
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
4+2
-
-
1+3
-
6+3
-
4+5
4
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
6
-
-
4
-
9
-
9
-
4
5
2
1
4
6
9
7
8
6
1
9
1
-
-
--
-
-
--
-
-
-
-
4
M
E
T
A
M
O
R
P
H
O
S
I
S
-
-
6
-
-
4
-
9
-
9

 

 

13
METAMORPHOSES
-
-
-
-
M+E
18
9
9
-
T+A
21
3
3
-
M+O
28
10
1
-
R
18
9
9
-
P+H+O+S+E
63
27
9
-
S
19
1
1
13
METAMORPHOSES
167
59
32
1+3
-
1+6+7
5+9
3+2
4
METAMORPHOSES
14
14
5
-
-
1+4
1+4
-
4
METAMORPHOSES
5
5
5

 

 

-
13
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-`
6
-
-
8
6
1
-
1
+
=
22
2+2
=
4
=
4
=
4
-
-
-
-
-
-
-
15
-
-
8
15
19
-
19
+
=
76
7+6
=
13
1+3
4
=
4
-
13
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
-
-
-
-
-
-
-
-
-
-
4
5
2
1
4
-
9
7
-
-
-
5
-
+
=
37
3+7
=
10
1+0
1
=
1
-
-
13
5
20
1
13
-
18
16
-
-
-
5
-
+
=
91
9+1
=
10
1+0
1
=
1
-
13
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
-
-
-
-
-
-
-
-
-
-
13
5
20
1
13
15
18
16
8
15
19
5
19
+
=
167
1+6+7
=
14
1+4
5
=
5
-
-
4
5
2
1
4
6
9
7
8
6
1
5
1
+
=
59
5+9
=
14
1+4
5
=
5
-
13
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
4
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
5
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
6
-
-
-
6
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
3
13
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
42
-
-
13
-
59
-
41
-
1+3
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
4+2
-
-
1+3
-
5+9
-
4+1
3
4
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
6
-
-
4
-
14
-
5
-
-
4
5
2
1
4
6
9
7
8
6
1
5
1
-
-
--
-
-
--
-
1+4
-
-
3
4
M
E
T
A
M
O
R
P
H
O
S
E
S
-
-
6
-
-
4
-
5
-
5

 

 

13
METAMORPHOSES
-
-
-
-
M+E
18
9
9
-
T+A
21
3
3
-
M+O
28
10
1
-
R
18
9
9
-
P+H+O+S+E
63
27
9
-
S
19
1
1
13
METAMORPHOSES
167
59
32
1+3
-
1+6+7
5+9
3+2
-
-
14
14
5
-
-
1+4
1+4
-
4
METAMORPHOSES
5
5
5

 

 

13
METAMORPHOSIS
-
-
-
-
M+E
18
9
9
-
T+A
21
3
3
-
M+O
28
10
1
-
R
18
9
9
-
P+H+O+S
58
22
4
-
I
9
9
9
-
S
19
1
1
13
METAMORPHOSIS
171
63
45
1+3
-
1+7+1
6+3
4+5
4
-METAMORPHOSIS
9
9
9

 

 

M
=
13
-
13
METAMORPHOSIS
171
63
9
-
-
4
-
4
-
-
-
-
M
=
13
-
13
METAMORPHOSES
167
59
5

 

 

-
METAPHOR
-
-
-
1
M+E
18
9
9
4
T+A+P+H
45
18
9
1
O
15
6
6
1
R
18
9
9
8
METAPHOR
96
42
33
-
-
9+6
4+2
3+3
8
METAPHOR
15
6
6
-
-
1+5
-
-
8
METAPHOR
6
6
6

 

 

-
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
6
-
+
=
14
1+4
=
5
=
5
-
-
-
-
-
-
-
8
15
-
+
=
23
2+3
=
5
=
5
-
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
-
4
5
2
1
7
-
-
9
+
=
28
2+8
=
10
=
1
-
-
13
5
20
1
16
-
-
18
+
=
73
7+3
=
10
=
1
-
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
-
13
5
20
1
16
8
15
18
+
=
96
9+6
=
15
1+5
6
-
-
4
5
2
1
7
8
6
9
+
=
42
4+2
=
6
=
6
-
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
3
8
M
E
T
A
P
H
O
R
-
-
42
-
-
8
-
42
-
-
-
-
-
-
-
-
-
9
-
-
4+2
-
-
--
-
4+2
3
8
M
E
T
A
P
H
O
R
-
-
6
-
-
8
-
6
-
-
4
5
2
1
7
8
6
9
-
-
--
-
-
--
-
-
3
8
M
E
T
A
P
H
O
R
-
-
6
-
-
8
-
6

 

 

8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
6
-
+
=
14
1+4
=
5
=
5
-
-
-
-
-
-
8
15
-
+
=
23
2+3
=
5
=
5
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
4
5
2
1
7
-
-
9
+
=
28
2+8
=
10
=
1
-
13
5
20
1
16
-
-
18
+
=
73
7+3
=
10
=
1
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
13
5
20
1
16
8
15
18
+
=
96
9+6
=
15
1+5
6
-
4
5
2
1
7
8
6
9
+
=
42
4+2
=
6
=
6
8
M
E
T
A
P
H
O
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
-
--
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
8
M
E
T
A
P
H
O
R
-
-
42
-
-
8
-
42
-
-
-
-
-
-
-
-
9
-
-
4+2
-
-
--
-
4+2
8
M
E
T
A
P
H
O
R
-
-
6
-
-
8
-
6
-
4
5
2
1
7
8
6
9
-
-
--
-
-
--
-
-
8
M
E
T
A
P
H
O
R
-
-
6
-
-
8
-
6

 

 

grammar.about.com › ... › Main Clause - Oxymoron - Cached - Similar Metaphor - Wikipedia, the free encyclopedia
A common definition of a metaphor can be described as a comparison that shows how two things that are not alike in most ways are similar in another ...
en.wikipedia.org/wiki/Metaphor

Metaphor is the concept of understanding one thing in terms of another. A metaphor is a figure of speech that constructs an analogy between two things or ideas; the analogy is conveyed by the use of a metaphorical word in place of some other word. For example: "Her eyes were glistening jewels".

Metaphor also denotes rhetorical figures of speech that achieve their effects via association, comparison or resemblance (e.g., antithesis, hyperbole, metonymy and simile, which are all types of metaphor).[1]

The English metaphor derives from the 16th century Old French métaphore, from the Latin metaphora "carrying over", Greek (μεταφορά) metaphorá “transfer”,[2] from (μεταφέρω) metaphero “to carry over”, “to transfer”[3] and from (μετά) meta “between”[4] + (φέρω) phero, “to bear”, “to carry”.[5]

 

 

1
I
9
9
9
4
INCA
27
18
9
3
THE
33
15
6
6
DIVINE
63
36
9
3
SON
48
21
3
2
OF
21
12
3
3
THE
33
15
6
3
SUN
54
18
9
25
TO
288
144
54
2+5
-
2+8+8
1+4+4
5+4
9
TO
9
9
9

 

 

-
CHRIST
-
-
-
-
C
3
3
3
-
RISH
54
27
9
-
T
20
2
2
6
CHRIST
77
32
14
-
-
7+7
3+2
1+4
6
CHRIST
14
5
5

 

 

-
6
C
H
R
I
S
T
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
9
1
-
+
=
18
1+8
=
9
=
9
=
9
-
-
-
8
-
9
19
-
+
=
36
3+6
=
9
=
9
=
9
-
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
-
-
2
+
=
14
1+4
=
5
=
5
=
5
-
-
3
-
18
-
-
20
+
=
41
4+1
=
5
=
5
=
5
-
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
-
3
8
18
9
19
20
+
=
77
7+7
=
14
1+4
5
=
5
-
-
3
8
9
9
1
2
+
=
32
3+2
=
5
-
5
=
5
-
6
C
H
R
I
S
T
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
7
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
9
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
22
6
C
H
R
I
S
T
-
-
23
-
-
6
-
32
-
23
2+2
-
-
-
9
9
-
-
-
-
2+3
-
-
-
-
3+2
-
2+3
4
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5
-
-
3
8
9
9
1
2
T
-
-
-
-
-
-
-
-
-
4
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5

 

 

6
C
H
R
I
S
T
-
-
-
-
-
--
-
-
-
-
-
-
8
-
9
1
-
+
=
18
1+8
=
9
=
9
=
9
-
-
8
-
9
19
-
+
=
36
3+6
=
9
=
9
=
9
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
3
-
9
-
-
2
+
=
14
1+4
=
5
=
5
=
5
-
3
-
18
-
-
20
+
=
41
4+1
=
5
=
5
=
5
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
3
8
18
9
19
20
+
=
77
7+7
=
14
1+4
5
=
5
-
3
8
9
9
1
2
+
=
32
3+2
=
5
-
5
=
5
6
C
H
R
I
S
T
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
6
C
H
R
I
S
T
-
-
23
-
-
6
-
32
-
23
-
-
-
9
9
-
-
-
-
2+3
-
-
-
-
3+2
-
2+3
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5
-
3
8
9
9
1
2
T
-
-
-
-
-
-
-
-
-
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5

 

 

-
5
J
E
S
U
S
-
-
-
-
-
--
-
-
-
-
-
-
1
-
1
+
=
2
-
=
2
=
2
-
`-
-
-
19
-
19
+
=
38
3+8
=
11
1+1
2
-
5
J
E
S
U
S
-
-
-
-
-
--
-
-
-
-
1
5
-
3
-
+
=
9
-
=
9
=
9
-
`-
10
5
-
21
-
+
=
36
3+6
=
9
=
9
-
5
J
E
S
U
S
-
-
-
-
-
--
-
-
-
`-
10
5
19
21
19
+
=
74
7+4
=
11
1+1
2
-
-
1
5
1
3
1
+
=
11
1+1
=
2
=
2
-
5
J
E
S
U
S
T
-
-
-
-
-
-
-
--
-
1
-
1
-
1
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
--
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
--
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
7
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
36
5
J
E
S
U
S
-
-
9
-
-
5
-
11
3+6
-
1
5
1
3
1
-
-
-
-
-
-
-
1+1
9
5
J
E
S
U
S
-
-
9
-
-
5
-
2
-
-
1
5
1
3
1
T
-
-
-
-
-
-
-
9
5
J
E
S
U
S
-
-
9
-
-
5
-
2

 

 

-
5
J
E
S
U
S
-
-
-
-
-
--
-
-
-
-
-
-
1
-
1
+
=
2
-
=
2
=
2
-
`-
-
-
19
-
19
+
=
38
3+8
=
11
1+1
2
-
5
J
E
S
U
S
-
-
-
-
-
--
-
-
-
-
1
5
-
3
-
+
=
9
-
=
9
=
9
-
`-
10
5
-
21
-
+
=
36
3+6
=
9
=
9
-
5
J
E
S
U
S
-
-
-
-
-
--
-
-
-
`-
10
5
19
21
19
+
=
74
7+4
=
11
1+1
2
-
-
1
5
1
3
1
+
=
11
1+1
=
2
=
2
-
5
J
E
S
U
S
T
-
-
-
-
-
-
-
--
-
1
-
1
-
1
-
-
1
occurs
x
3
=
3
-
--
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
--
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
5
J
E
S
U
S
-
-
9
-
-
5
-
11
3+6
-
1
5
1
3
1
-
-
-
-
-
-
-
1+1
9
5
J
E
S
U
S
-
-
9
-
-
5
-
2
-
-
1
5
1
3
1
T
-
-
-
-
-
-
-
9
5
J
E
S
U
S
-
-
9
-
-
5
-
2

 

 

2
AS
20
2
2
5
ABOVE
45
18
9
2
SO
34
7
7
5
BELOW
57
21
3
14
First Total
156
48
21
1+4
Add to Reduce
1+5+6
4+8
2+1
5
Second Total
12
12
3
-
Reduce to Deduce
1+2
1+2
-
5
Essence of Number
3
3
3

 

 

21-
14
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
-
-
-
-
--
-
-
-
-
-
-
-
1
-
-
-
6
-
-
-
1
6
-
-
-
-
6
-
+
=
20
2+0
=
2
=
2
=
2
-
-
-
19
-
-
-
15
-
-
-
19
15
-
-
-
-
15
-
+
=
83
8+3
=
11
1+1
2
=
2
-
14
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
2
-
4
5
-
-
-
-
2
5
3
-
5
+
=
28
2+8
=
10
1+0
1
=
1
-
-
1
-
-
1
2
-
22
5
-
-
-
-
2
5
12
-
23
+
=
73
7+3
=
10
1+0
1
=
1
-
14
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
-
-
-
-
--
-
-
-
-
-
-
1
19
-
1
2
15
22
5
-
19
15
-
2
5
12
15
23
+
=
156
1+5+6
=
12
1+2
3
=
3
-
-
1
1
-
1
2
6
4
5
-
1
6
-
2
5
3
6
5
+
=
48
4+8
=
12
1+2
3
=
3
-
14
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
1
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
4
=
4
=
4
-
``-
-
-
-`
-
2
-
-
-
-`
-
-
-`
2
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
24
14
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
21
21
-
-
14
-
48
-
30
2+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+1
-
-
1+4
-
4+8
-
3+0
6
5
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
-
3
-
-
5
-
12
-
3
-
-
1
1
-
1
2
6
4
5
-
1
6
-
2
5
3
6
5
-
-
-
-
-
`-
-
1+2
-
-
6
5
A
S
-
A
B
O
V
E
-
S
O
-
B
E
L
O
W
-
-
3
-
-
5
-
3
-
3

 

 

-
18
T
H
E
-
H
U
M
A
N
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
8
-
-
-
5
-
-
6
5
1
-
9
-
5
-
-
+
=
47
4+7
=
11
1+1
2
=
2
-
-
-
8
-
-
8
-
-
-
14
-
-
15
14
19
-
9
-
14
-
-
+
=
101
1+0+1
=
2
=
2
=
2
-
18
T
H
E
-
H
U
M
A
N
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
-
3
4
1
-
-
3
-
-
-
3
-
5
-
3
5
+
=
34
3+4
=
7
=
7
=
7
-
-
20
-
5
-
-
21
13
1
-
-
3
-
-
-
3
-
5
-
3
5
+
=
79
7+9
=
16
1+6
7
=
7
-
18
T
H
E
-
H
U
M
A
N
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
8
21
13
1
14
-
3
15
14
19
3
9
5
14
3
5
+
=
180
1+8+0
=
9
=
9
=
9
-
-
2
8
5
-
8
3
4
1
5
-
3
6
5
1
3
9
5
5
3
5
+
=
81
8+1
=
9
=
9
=
9
-
18
T
H
E
-
H
U
M
A
N
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
3
-
-
-
-
3
--
-
-
3
-
-
-
3
-
-
-
3
occurs
x
4
=
12
1+2
3
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
5
-
-
-
5
-
-
-
5
5
-
5
-
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
-
-
7
SEVEN
-
-
-
-
-
-
-
-
-
8
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
7
18
T
H
E
-
H
U
M
A
N
-
C
O
N
S
C
I
E
N
C
E
-
-
38
-
-
18
-
81
-
36
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
11
-
-
1+8
-
8+1
-
3+6
7
18
T
H
E
-
H
U
M
A
N
-
C
O
N
S
C
I
E
N
C
E
-
-
2
-
-
9
-
9
-
9

 

 

-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
+
=
6
-
=
6
=
6
=
6
-
-
15
-
-
-
-
-
+
=
15
1+5
=
6
=
6
=
6
-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
2
+
=
14
1+4
=
5
=
5
=
5
-
-
-
3
3
21
12
20
+
=
59
5+9
=
14
1+4
5
=
5
-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
15
3
3
21
12
20
+
=
74
7+4
=
11
1+1
2
=
2
-
-
6
3
3
3
3
2
+
=
20
2+0
=
2
=
2
=
2
-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
1
-
-
--
--
--
--
--
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
-
-
3
3
3
3
-
-
-
3
occurs
x
4
=
12
1+2
3
4
-
-
--
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
--
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
--
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
--
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
--
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
34
6
O
C
C
U
L
T
-
-
11
-
-
6
-
20
-
11
3+4
-
-
3
3
3
3
-
-
-
1+1
-
-
-
-
2+0
-
1+1
7
6
O
C
C
U
L
T
-
-
2
-
-
6
-
2
-
2
-
-
6
3
3
3
3
2
-
-
-
-
-
-
-
-
-
-
7
6
O
C
C
U
L
T
-
-
2
-
-
6
-
2
-
2

 

 

-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
+
=
6
-
=
6
=
6
=
6
-
-
15
-
-
-
-
-
+
=
15
1+5
=
6
=
6
=
6
-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
2
+
=
14
1+4
=
5
=
5
=
5
-
-
-
3
3
21
12
20
+
=
59
5+9
=
14
1+4
5
=
5
-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
15
3
3
21
12
20
+
=
74
7+4
=
11
1+1
2
=
2
-
-
6
3
3
3
3
2
+
=
20
2+0
=
2
=
2
=
2
-
6
O
C
C
U
L
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
-
-
3
3
3
3
-
-
-
3
occurs
x
4
=
12
1+2
3
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
4
6
O
C
C
U
L
T
-
-
11
-
-
6
-
20
-
11
3+4
-
-
3
3
3
3
-
-
-
1+1
-
-
-
-
2+0
-
1+1
7
6
O
C
C
U
L
T
-
-
2
-
-
6
-
2
-
2
-
-
6
3
3
3
3
2
-
-
-
-
-
-
-
-
-
-
7
6
O
C
C
U
L
T
-
-
2
-
-
6
-
2
-
2

 

 

1
I
9
9
9
-
INCA
-
-
-
-
I
9
9
9
-
N
14
5
5
-
C
3
3
3
-
A
1
1
1
4
INCA
27
18
18
-
-
2+7
1+8
1+8
4
INCA
9
9
9

 

 

1
I
9
9
9
-
INCA
-
-
-
-
I
9
9
9
-
NCA
18
9
9
4
INCA
27
18
18
-
-
2+7
1+8
1+8
1
INCA
9
9
9

 

 

-
INCA
N
C
A
-
I
-
-
-
-
NCA
5
3
1
4
INCA
-
-
-

 

I

INCA

THE SON OF THE

SUN

 

1
I
9
9
9
4
INCA
27
18
9
3
THE
33
15
6
3
SON
48
21
3
2
OF
21
12
3
3
THE
33
15
6
3
SUN
54
18
9
25
-
225
99
45
2+5
-
2+2+5
9+9
4+5
9
-
9
18
9
-
-
-
1+8
-
9
-
9
9
9

 

 

-
5
I
N
C
A
-
-
-
-
-
-
-
-
-
-
9
14
-
-
+
=
23
2+3
=
5
=
5
-
-
9
5
-
-
+
=
14
1+4
=
5
=
5
-
5
I
N
C
A
-
-
-
-
-
-
-
-
-
-
-
-
3
1
+
=
14
1+4
=
5
=
5
-
-
-
-
3
1
+
=
23
2+3
=
5
=
5
-
5
I
N
C
A
-
-
-
-
-
-
-
-
-
-
9
14
3
1
+
=
27
2+7
=
9
=
9
-
-
9
5
3
1
+
=
18
1+8
=
9
=
9
-
5
I
N
C
A
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
1
=
9
27
5
I
N
C
A
-
-
18
-
-
4
-
18
2+7
-
-
5
3
1
-
-
1+8
-
-
-
-
1+8
9
5
I
N
C
A
-
-
9
-
-
4
-
9
-
-
9
5
3
1
-
-
-
-
-
-
-
-
9
5
I
N
C
A
-
-
9
-
-
4
-
9

 

 

5
I
N
C
A
-
-
-
-
-
-
-
-
-
9
14
-
-
+
=
23
2+3
=
5
=
5
-
9
5
-
-
+
=
14
1+4
=
5
=
5
5
I
N
C
A
-
-
-
-
-
-
-
-
-
-
-
3
1
+
=
14
1+4
=
5
=
5
-
-
-
3
1
+
=
23
2+3
=
5
=
5
5
I
N
C
A
-
-
-
-
-
-
-
-
-
9
14
3
1
+
=
27
2+7
=
9
=
9
-
9
5
3
1
+
=
18
1+8
=
9
=
9
5
I
N
C
A
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
9
-
-
-
-
-
9
occurs
x
1
=
9
5
I
N
C
A
-
-
18
-
-
4
-
18
-
-
5
3
1
-
-
1+8
-
-
-
-
1+8
5
I
N
C
A
-
-
9
-
-
4
-
9
-
9
5
3
1
-
-
-
-
-
-
-
-
5
I
N
C
A
-
-
9
-
-
4
-
9

 

 

FINGERPRINTS OF

 

 

-
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
9
1
-
6
-
+
=
17
1+7
=
8
=
8
=
8
-
-
19
-
-
-
-
-
-
-
9
19
-
15
-
+
=
62
6+2
=
8
=
8
=
8
-
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
-
-
5
3
9
5
2
-
5
-
-
4
-
4
+
=
37
3+7
=
10
1+0
1
=
1
-
-
-
5
3
18
5
20
-
23
-
-
4
-
13
+
=
91
9+1
=
10
1+0
1
=
1
-
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
-
19
5
3
18
5
20
-
23
9
19
4
15
13
+
=
153
1+5+3
=
9
=
9
=
9
-
-
1
5
3
9
5
2
-
5
9
1
4
6
4
+
=
54
5+4
=
9
=
9
=
9
-
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
1
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
1
-
-
-
-
-
-
-
-
-
4
-
4
-
-
4
occurs
x
2
=
8
=
8
-
-
-
5
-
-
5
-
-
5
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
--
--
--
--
--
--
--
--
--
--
--
--
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
--
--
--
--
--
--
--
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
15
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
30
-
-
12
-
54
-
36
1+5
1+2
-
-
9
-
-
-
-
9
-
-
-
-
-
-
3+0
-
-
1+2
-
5+4
-
3+6
6
3
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
3
-
-
3
-
9
-
9
-
-
1
5
3
9
5
2
-
5
9
1
4
6
4
-
-
-
-
-
-
-
-
-
-
6
3
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
3
-
-
3
-
9
-
9

 

 

12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
9
1
-
6
-
+
=
17
1+7
=
8
=
8
=
8
-
19
-
-
-
-
-
-
-
9
19
-
15
-
+
=
62
6+2
=
8
=
8
=
8
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
-
5
3
9
5
2
-
5
-
-
4
-
4
+
=
37
3+7
=
10
1+0
1
=
1
-
-
5
3
18
5
20
-
23
-
-
4
-
13
+
=
91
9+1
=
10
1+0
1
=
1
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
19
5
3
18
5
20
-
23
9
19
4
15
13
+
=
153
1+5+3
=
9
=
9
=
9
-
1
5
3
9
5
2
-
5
9
1
4
6
4
+
=
54
5+4
=
9
=
9
=
9
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
1
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
1
-
-
-
-
-
-
-
-
-
4
-
4
-
-
4
occurs
x
2
=
8
=
8
-
-
5
-
-
5
-
-
5
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
9
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
12
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
30
-
-
12
-
54
-
36
1+2
-
-
9
-
-
-
-
9
-
-
-
-
-
-
3+0
-
-
1+2
-
5+4
-
3+6
3
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
3
-
-
3
-
9
-
9
-
1
5
3
9
5
2
-
5
9
1
4
6
4
-
-
-
-
-
-
-
-
-
-
3
S
E
C
R
E
T
-
W
I
S
D
O
M
-
-
3
-
-
3
-
9
-
9

 

 

-
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
-
1
6
-
6
5
+
=
18
1+8
=
9
=
9
=
9
-
-
19
15
-
15
14
+
=
63
6+3
=
9
=
9
=
9
-
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
-
=
=
3
-
-
+
=
3
-
=
3
=
3
=
3
-
-
-
-
12
-
-
+
=
12
1+2
=
3
=
3
=
3
-
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
-
19
15
12
15
14
+
=
75
7+5
=
12
1+2
3
=
3
-
-
1
6
3
6
5
+
=
21
2+1
=
3
=
3
=
3
-
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
--
--
--
--
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
--
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
--
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
--
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
--
-
-
-
-
-
9
NINE
9
-
-
-
-
-
30
5
S
O
L
O
N
-
-
15
-
-
5
-
21
-
12
3+0
-
-
-
-
-
-
-
-
1+5
-
-
-
-
2+1
-
1+2
3
5
S
O
L
O
N
-
-
6
-
-
5
-
3
-
3
-
-
1
6
3
6
5
-
-
-
-
-
-
-
-
-
-
3
5
S
O
L
O
N
-
-
6
-
-
5
-
3
-
3

 

 

5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
1
6
-
6
5
+
=
18
1+8
=
9
=
9
=
9
-
19
15
-
15
14
+
=
63
6+3
=
9
=
9
=
9
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
=
=
3
-
-
+
=
3
-
=
3
=
3
=
3
-
-
-
12
-
-
+
=
12
1+2
=
3
=
3
=
3
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
19
15
12
15
14
+
=
75
7+5
=
12
1+2
3
=
3
-
1
6
3
6
5
+
=
21
2+1
=
3
=
3
=
3
5
S
O
L
O
N
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
5
S
O
L
O
N
-
-
15
-
-
5
-
21
-
12
-
-
-
-
-
-
-
-
1+5
-
-
-
-
2+1
-
1+2
5
S
O
L
O
N
-
-
6
-
-
5
-
3
-
3
-
1
6
3
6
5
-
-
-
-
-
-
-
-
-
-
5
S
O
L
O
N
-
-
6
-
-
5
-
3
-
3

 

 

-
WISE
-
-
-
1
W
23
5
5
2
I+S
28
10
1
1
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

 

-
WISE
-
-
-
1
W
23
5
5
2
I+S
28
10
1
1
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

 

-
WISE
-
-
-
1
W
23
5
5
2
IS
-
-
-
1
E
5
5
5
4
WISE
-
-
-

 

 

-
WISE
-
-
-
1
W
23
5
5
2
I
9
9
9
1
S
19
10
1
1
E
5
5
5
4
WISE
56
29
11
-
-
5+6
2+9
1+1
4
WISE
11
11
2
-
-
1+1
1+1
-
4
WISE
2
2
2

 

 

15
EGO OF THE GODLESS
162
72
9

 

 

3
EGO
27
18
9
2
OF
21
12
3
3
THE
33
15
6
7
GODLESS
81
27
9
18
Add to Reduce
162
72
27
1+8
Reduce to Deduce
1+6+2
7+2
2+7
9
Essence of Number
9
9
9

 

 

9
CHRYSALIS
-
--
-
-
C+H
11
11
2
-
R
18
9
9
-
Y+S+A
45
18
9
-
L
12
3
3
-
I
28
19
1
-
S
19
10
1
9
CHRYSALIS
114
60
24
-
-
1+1+4
6+0
2+4
9
CHRYSALIS
6
6
6

 

 

11
CATERPILLAR
115
52
7
4
PUPA
54
18
9
9
BUTTERFLY
129
39
3
4
MOTH
56
20
2

 

 

5
LARVA
54
18
9
4
PUPA
54
18
9
9
Add to Reduce
108
36
18
-
Reduce to Deduce
1+0+8
3+6
1+8
9
Essence of Number
9
9
9

 

 

9
CHRYSALIS
111
66
3
7
CRYSTAL
98
26
8
8
CRYSTALS
117
27
9

 

 

6
CHRIST
77
32
5
9
CHRYSALIS
111
66
3
7
CRYSTAL
98
26
8
8
CRYSTALS
117
27
9
11
CRYSTALLIZE
150
51
6
12
CRYSTALLIZED
154
55
1
15
CRYSTALLIZATION
204
69
6

 

 

4
GODS
45
18
9
8
CREATORS
99
36
9

 

 

8
RAMESSES
99
27
9

 

 

-
RA MESSIAH
-
-
-
2
RA
19
10
1
7
MESSIAH
74
29
2
9
RA MESSIAH
93
39
3
-
-
9+3
3+9
-
9
RA MESSIAH
12
12
3
-
-
1+2
1+2
-
9
RA MESSIAH
3
3
3

 

 

3
UFO
24
15
6
-
-
-
-
-
-
-
-
-
-
12
UNIDENTIFIED
120
66
3
6
FLYING
73
37
1
6
OBJECT
55
19
1
24
First Total
248
122
5
2+4
Add to Reduce
2+4+8
1+2+2
-
6
Second Total
14
5
5
-
Reduce to Deduce
1+4
-
-
6
Essence of Number
5
5
5

 

 

6
INSECT
97
25
7
11
CATERPILLAR
115
52
7
6
LARVAE
59
23
5
5
LARVA
54
18
9
4
PUPA
54
18
9
5
PUPAE
59
23
5

 

 

5
IMAGO
45
27
9
6
IMAGES
54
27
9

 

 

1
I
9
9
9
4
INCA
-
-
-
-
I
9
9
9
-
N+C+A
45
9
9
4
INCA
54
18
18
-
-
5+4
1+8
1+8
4
INCA
9
9
9

 

 

THE

HOURS OF HORUS

NOW IS NOW

IS

HEAR ME SAY I SAY ME HEAR

HERMES THE MESSENGER THE MESSENGER HERMES

 

 

THE ELEMENTS OF THE GODDESS

Caitlin Matthews 1989

Page38

"This ennead of aspects is endlessly adaptable for it is made up of nine, the most adjustable and yet essentially unchanging number. However one chooses to add up multiples of nine, for example 54, 72, 108, they always add up to nine"

 

THE

ENNEAD 55555 ENNEAD

ENNEA+D 55555 ENNEA+D

THE

ENNEAD 55555 ENNEAD

 

 

CREATION SEE REACTION SEE CREATION

C REACTION C REACTION C

CREATORS C REACTORS

REACTORS SEE REACTORS

 

 

SOUL SO U LIVE SO U LEARN SO U LOVE

 

 

REAL REALITY REVEALED REALITY REAL

 

 

LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE

 

 

SHAMANIC WISDOM IN THE PYRAMID TEXTS

THE MYSTICAL TRADITION OF ANCIENT EGYPT

Jeremy Naydler 2005

The Sarcophagus Chamber Texts

Page 199

"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"

 

 

THE SUN

Tuesday, December 27, 2005

FRONT PAGE

"IT WASN'T DEATH THAT WON THE DAY. HUMANITY TRIUMPHED"

 

(I Corinthians 15: 51-52)

Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet.

 

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

 

-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
6
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
6
A
T
U
M
-
-
1
-
-
4
-
2

 

 

THE HERMETICA

THE LOST WISDOM OF THE PHARAOHS

Timothy Freke & Peter Gandy

To the Memory of Giordano Bruno 1548 - 1600

Mundus Nihil Pulcherrimum

The World is a Beautiful Nothing

Page 23

"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."

 

Page 45

The Being of Atum

"Atum is Primal Mind."

Page 45

The Being of Atum

Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight, which comes only as a gift of grace.

It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it, leaving behind not only the hearer, but even the teacher himself.

To conceive of Atum is difficult.

To define him is impossible.

The imperfect and impermanent cannot easily apprehend the eternally perfected.

Atum is whole and conconstant.

In himself he is motionless, yet he is self-moving.

He is immaculate, incorruptible and ever-lasting.

He is the Supreme Absolute Reality. He is filled with ideas which are imperceptible to the senses, and with all-embracing Knowledge.

Atum is Primal Mind.

Page 46

He is too great to be called by the name 'Atum'. He is hidden, yet obvious everywhere.

His Being is known through thought alone, yet we see his form before our eyes.

He is bodiless, yet embodied in everything. There is nothing which he is not. He has no name, because all names are his name. He is the unity in all things, so we must know him by all names and call everything 'Atum'.

He is the root and source of all. Everything has a source, except this source itself, which springs from nothing.

Atum is complete like the number one, which remains itself whether multiplied or divided, and yet generates all numbers.

Atum is the Whole which contains everything. He is One, not two.

He is All, not many.

The All is not many separate things, but the Oneness that subsumes the parts.

The All and the One are identical.

You think that things are many when you view them as separate, but when you see they all hang on the One, /Page 47/ and flow from the One, you will realise they are united­linked together, and connected by a chain of Being from the highest to the lowest, all subject to the will of Atum.

The Cosmos is one as the sun is one, the moon is one and the Earth is one.

Do you think there are many Gods? That's absurd - God is one.

Atum alone is the Creator of all that is immortal, and all that is mutable.

If that seems incredible, just consider yourself. You see, speak, hear, touch, taste, walk, think and breathe.

It is not a different you who does these various things, but one being who does them all.

To understand how Atum makes all things, consider a farmer sowing seeds; here wheat - there barley,
now planting a vine - then an apple tree.

Just as the same man plants all these seeds, so Atum sows immortality in heaven and change on Earth.

Throughout the Cosmos he disseminates Life and movement­the two great elements that comprise Atum and his creation, and so everything that is.

Page 48

Atum is called 'Father' because he begets all things, and, from his example, the wise hold begetting children the most sacred pursuit of human life. Atum works with Nature, within the laws of Necessity, causing extinction and renewal, constantly creating creation to display his wisdom.

Yet, the things that the eye can see are mere phantoms and illusions.

Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.

Just as the eye cannot see the Being of Atum, so it cannot see these great ideas.

They are attributes of Atum alone, and are inseparable from him.

They are so perfectly without blemish that Atum himself is in love with them.

There is nothing which Atum lacks, so nothing that he desires.

There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.

Atum makes everything, and everything is a part of Atum.

Atum, therefore, makes himself.

This is Atum's glory - he is all-creative, and this creating is his very Being.

It is impossible for him ever to stop creating­for Atum can never cease to be.

Page 49

Atum is everywhere.

Mind cannot be enclosed, because everything exists within Mind.

Nothing is so quick and powerful.

Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention you will be there!

Think of the ocean - and there you are.

You have not moved as things move, but you have travelled, nevertheless.

Fly up into the heavens - you won't need wings!

Nothing can obstruct you - not the burning heat of the sun, or the swirling planets.

Pass on to the limits of creation. Do you want to break out beyond the boundaries of the Cosmos?

For your mind, even that is possible.

Can you sense what power you possess? If you can do all this, then what about your Creator?

Try and understand that Atum is Mind.

This is how he contains the Cosmos. All things are thoughts which the Creator thinks."

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

 

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

 

-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
6
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
6
A
T
U
M
-
-
1
-
-
4
-
2

 

 

6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
6
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
6
A
T
U
M
-
-
1
-
-
4
-
2

 

 

ATUM QUANTUM ATOM

QUANTUM

QUNATUM

ATUM

 

 

ATUM

 

6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
6
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
6
A
T
U
M
-
-
1
-
-
4
-
2

 

 

A
=
1
-
6
ATUM RA
-
-
-
-
-
-
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
R
=
9
-
2
RA
-
-
-
A
R
10
-
-
R
18
9
9
-
-
1+0
-
-
A
1
1
1
A
=
1
-
6
ATUM RA
74
20
20
-
-
-
-
-
-
7+4
2+0
2+0
A
=
1
-
6
ATUM RA
11
2
2
-
-
-
-
-
-
1+1
-
-
A
=
1
-
6
ATUM RA
2
2
2

 

 

-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
26
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
2+6
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
-
2+0
8
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
-
-
8
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
-
2+0
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
-
-
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
9
-
-
-
1+9
-
-
-
Q
2+0
6
A
T
U
M
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
9
1
-T
-
1+0
-
-
-
-
-
6
A
T
U
M
R
A
-
-
1
-
-
6
-
2

 

 

R
=
9
-
6
RE ATUM
-
-
-
-
-
-
-
2
RE
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
R
A
10
-
-
U
21
3
3
-
-
1+0
-
-
M
13
4
4
R
A
1
-
6
RE ATUM
60
24
24
-
-
-
-
-
-
6+0
2+4
2+4
R
A
1
-
6
RE ATUM
6
6
6
-
-
-
-
-
-
1+1
-
-
R
A
1
-
6
RE ATUM
6
6
6

 

 

-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
-
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
-
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
21
6
R
E
-
A
T
U
M
-
-
14
-
-
6
-
24
2+1
-
9
5
-
1
2
3
4
-
-
1+4
-
-
-
-
2+4
3
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6
-
-
9
5
-
1
2
3
4
-
-
-
-
-
-
-
-
3
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6

 

 

6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
-
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
-
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
6
R
E
-
A
T
U
M
-
-
14
-
-
6
-
24
-
9
5
-
1
2
3
4
-
-
1+4
-
-
-
-
2+4
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6
-
9
5
-
1
2
3
4
-
-
-
-
-
-
-
-
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6

 

 

C
=
3
-
6
CREATUM
-
-
-
-
-
-
-
-
C
3
3
3
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
C
=
3
-
6
CREATUM
90
27
27
-
-
-
-
-
-
9+0
2+7
2+7
C
=
3
-
6
CREATUM
9
9
9

 

 

-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
-
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
21
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
2+1
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9

 

 

7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
7
C
R
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myEtymology.com: Latin etymology of creatum www.myetymology.com/latin/creatum.htm

Etymology of the Latin word creatum
the Latin word creatum (things made) derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) derived from the Proto-Indo-European root *ker-
Derivations in Latin creatura derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) ...


Creatum - Medieval Latin 105 https://coursewikis.fas.harvard.edu/ml105/Creatum

Creatum
From Medieval Latin 105
Jump to: navigation, search
creatum
Root: creo
Dictionary form: creo (adjective, positive)
participle, perfect, passive
accusative, masculine, singular

26 Aug 2009 – From Medieval Latin 105. ... Retrieved from "https:/ /coursewikis.fas.harvard.edu/ml105/Creatum" ...
Latin Word Study Tool www.perseus.tufts.edu/hopper/morph?l=creatum&la=la&prior...

Latin Word Study Tool. ("Agamemnon", "Hom. ... creatum, noun sg supine neut nom. creatum, part pl perf pass masc gen poetic. creatum, part pl perf pass neut ...
EUdict | creatum esse | Latin-Croatian dictionary www.eudict.com/index.php?lang=latcro&word=creatum%20esse

Latin-Croatian translation for creatum esse - online dictionary EUdict.com.
Needlebase - 1000 Common Latin Words - creo, creare, creavi, creatum https://pub.needlebase.com/actions/.../V2Visualizer.do?...latin...

1000 Common Latin Words ... current path creo, creare, creavi, creatum >>.

 

 

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ANCIENT EGYPT

THE LIGHT OF THE WORLD

Gerald Massey

BOOK 4 EGYPTIAN BOOK OF THE DEAD AND THE MYSTERIES OF AMENTA

Page 186

The Egyptian Book of the Dead contains the oldest known religious writings in the world. As it comes to us it is mainly Osirian, but the Osirian group of gods was the latest of all the divine dynasties, although these, as shown at Abydos (by Prof. Flinders Petrie), will account for some ten thousand years of time in Egypt. The antiquity of the collection is not to be judged by the age of the coffins in which the papyrus rolls were found. Amongst other criteria of length in time the absence of Amen, Maut, and Khunsu supplies a gauge. The presence and importance of Tum affords another, whilst the persistence of Apt and her son Sebek-Horus tells a tale of times incalculably remote.

As a key to the mysteries and the method of the book it must be understood at starting that the eschatology or doctrine of Last Things was founded in the mould of the mythology, and that the one can only be unravelled by means of the other. Moreover, there is plenty of evidence to prove that the Ritual was based on the mythology, and not the mythology upon the Ritual. The serpent, of darkness, was the evil reptile in mythology. In theology it becomes the deluder of mankind. Here the beginning was with darkness itself, which was the deceiver from the first. The serpent, being a figure of darkness, was continued by theology as the official adversary of souls in the eschatological domain. The eschatology of the Ritual, then, can only be comprehended by means of the mythology. And it is the mythos out of view that has made the Ritual so profoundly difficult to understand. Reading it may be compared with a dance seen by a deaf man who does not hear the music to which the motion is timed, and who has no clue to the characters being performed in the dumb drama. You cannot understand what they are doing and saying as Manes in another world without knowing what was thought and said by human beings in this concerning that representation of the nature powers, the gods and goddesses, which constitutes mythology.

Amenta is a huge fossil formation crowded with the dead forms of a past life in which the horny conspectuities of learned ignorance will only see dead shells for a modern museum. As a rule, Egyptis always treated differently from the rest of the world. No Egyptologist has ever dreamed that the Ritual still exists under thedisguise of both the gnostic and canonical gospels, or that it was the fountain-head and source of all the books of wisdom claimed to be divine. In the mythology - that is, in the primitive mode of rendering the phenomena of external nature - Osiris as light-giver in the moon was tom in fourteen pieces during the latter half of the lunation by the evil Sut, the opposing power of darkness. He was put together again and reconstituted by his son, beloved Horus, the young solar god. This representation could not have been made until it was known that the lunar light was replenished monthly from the solar source. Then Horus as the sun god and the vanquisher of Sut, the power of darkness, could be called the reconstituter of Osiris in the moon. In that way a foundation was laid in natural fact according to the science of mythology, and a mystery bequeathed to the eschatology which is doctrinal. For as it had been with the dismembered, mutilated god in the mythos, so it is with the Osiris deceased, who has to be reconstructed for a future life and put together bit by bit as a spiritual body in one of the great mysteries of Amenta. In the mythos Har-Makhu was the solar god of both horizons, or the double equinox, who represented the sun of today that rose up from the nether world as conqueror of darkness to join the west and east together on the Mount of Glory, as the connecting link of continuity in time betwixt yesterday and tomorrow. The type was continued in the eschatology, when Har-Makhu became the Horus of the greater mysteries, Horus of the religious legend who suffered, died, and was buried in Amenta, and who rose again from ,the dead like the winter sun, as Horus in spirit, lifting aloft the insignia of his sovereignty. This was he who made the pathway, not merely betwixt the two horizons, but to eternal life, as son of Ra, the holy spirit in the eschatology. The intermediate link in the mythos, which “connects the solar orb with yesterday”, is now the intermediary betwixt the two worlds and two lives in time and eternity. This is he who exclaims, “I am the link! I am the everlasting one! I am Horus who steppeth onwards through eternity.”(Rit., ch. 42.) This was he who, in the words of the gnostic Paul, “broke down the wall of partition” and “made both one”, “that he might create in himself one new manand reconcile them both in one body”, even as the double Horus, Har-Sam-Taui, was made one when blended and established as one person in another mystery of Amenta(Rit., ch. 42). The mythology repeated in the Ritual is mainly solar and Osirian, but with glimpses of the lunar and the stellar mythos from the beginning. For example, Apt the ancient genetrix, as goddess of the Great Bear constellation, and leader of the heavenly host, was the kindler of the starry sparks by night in the mythology. In the eschatology she is continued as the mistress of divine protections for the soul, and she who had been the kindler of the lights in the darkness of night was now propitiated as rekindler of life from the spark in the dark of death (Rit., ch. 137B). Ra in the mythos is the solar god represented by the sun in heaven, and in the eschatology he became the god in spirit who is called the holy spirit and first person in the trinity which consisted of Atum the father god, Horus the son, and Ra the holy spirit; the three that were also one in the Osirian cult, first as three forms of the solar god and next as three forms of the god in spirit. It is thus we are enabled to trace the formation of the Egyptian eschatology in the mould of the mythology. There is no death in the Osirian religion, only decay and change, and periodic renewal; only evolution and transformation in the domain of matter and the transubstantiation into spirit. In the so-called death of Osiris it is rebirth, not death, exactly the same as in the changes of external nature. At the close of day the solar orb went down and left the sun god staring blankly in the dark of death. Taht the moon god met him in Amenta with the eye of Horus as the light that was to illuminate the darkness of the subterranean world. In the annual rendering on the third day light was generated by renewal in the moon. Thus Osiris rose again, and a doctrine of the resurrection on the third day was bequeathed to the eschatology. The sun in sinking was buried as a body (or mummy) in the nether world of Amenta. When rising again at dawn it was transformed into a soul, a supreme elemental soul, that preceded the god in spirit. This was in the mythology. In the eschatology the same types were reapplied to the human soul, which was imaged in the flesh as the inarticulate, blind, and impubescent Horus, who died bodily but was preserved in mummy form to make his transformation into the luminous Sahu, when he rose again in glory as Horus the divine adult. “I am the resurrection and the life” is the perfect interpretation of an Egyptian picture that was copied by Denon at Philæ. (Egypt, vol. ii., pl.40, No.8, p. 54-) (Lundy, fig. 183.) Divine Horus is portrayed in the act of raising the deceased Osiris from the bier by presenting to him the Ankh sign of life. He was the life in person who performed the resurrection, and therefore is “the resurrection and the life”. As such he simply stands for a soul considered to be the divine offspring of god the father, not for any historical character that makes preposterous pretensions to possess miraculous power. Previously he had been the resurrection and the life as solar vivifier in the physical domain, or otherwise stated in the mythology. It was this difference betwixt the mythology and eschatology that constituted the lesser and the greater mysteries. The lesser in their origin were partly sociological. They were the customs and the ceremonial rites of totemism. The greater mysteries are eschatological and religious. For instance, the transformation of the youth into the adult or the girl into a woman in the totemic mysteries was applied doctrinally to the transformation of the soul in the mysteries of Amenta. With the more primitive races, such as the Arunta of Australia, the mysteries remain chiefly totemic and sociological, though interfused with the religious sentiment. The greater mysteries were perfected in the Egyptian religion, to be read of in the Ritual as the mysteries of Amenta.

From the beginning to the end of the written Ritual we shall find it is based upon the mythical representation which was primary.The mythical representation was first applied to the phenomena of external nature, and this mode of representation was continued and re-applied to the human soul in the eschatology. Egyptian myths, then, are not inventions made to explain the Ritual. Totemic representation was earlier. This mode was continued in the mythology. Ritual arose from the rendering becoming religious in the phase of eschatology, and did not originate as an explanation of mythology and totemism. But not until the different phases are discriminated can the Ritual be read, that which has been founded on it under-stood, or the mental status of the thinkers ascertained. In the mythology the solar god, who in his primary form was Ptah (Khepr), is the maker of a complete circle for the sun as founder and opener of the nether earth, this solar pathway being a figure of for ever, a type of the eternal working in time. In the eschatology the god in spirit who is Ra the holy spirit is “the god who has created (or opened out) eternity” (Rit., ch. 15). The one is on the physical basis, the other on the spiritual plane. In the mythology the seven primordial powers that pass through various phases, elemental, stellar , or lunar, always in a group of seven, finally become the seven souls of Ra, who attained supremacy as the sun god in mythology and also as the holy spirit. Thence came the doctrine of the seven souls in man, as seven gifts of the holy spirit in the eschatology. In the mythical representation Sothis on New Year's Day was the bringer forth of the child that was mothered by Hathor or Isis. The type is employed in the eschatology of the Ritual when the Manes in Amenta prays for rebirth as a pure spirit and says, “May I live ( or rise up and go forth) from between the closed knees of Sothis”. The rebirth of the child in Sothis was the renewal of the year, Sothis being represented in the feminine character by Hathor as the bringer forth from betwixt her knees or, as elsewhere rendered, her kheptu, i.e., her thighs. So the Manes are reborn from between the thighs of Nut in the mysteries of Amenta, and here the visible birthplace of spirits perfected is localized in Sothis, the opener of the year and bringer of the babe to birth upon the horizon or the mount of glory. In this way the skies of night were made luminous with starry lore that was mythical in the astronomy and the words of a divine wisdom in the later eschatology when the mysteries were represented in Amenta. Instead of flashlights showing pictures on the housetops of a city after dark, the stars were used by the Egyptians to illustrate the mysteries that were out of sight. The triumph of Horus over Sut or over the Apap dragon of drought and darkness was illustrated in the stellar mythos when in the annual round Orion rose and the Scorpion constellation set upon the opposite horizon. The Egyptian nearing death could lie and look upon a future figured in the starry heavens.As it was with Osiris or Horus so would it be with him. The way had been mapped out, the guiding stars were visible. His bier or coffin of new birth could be seen in the mesken of the mother. He rose again in spirit as the babe of Sothis. “He joined the company of the holy Sahus” in Orion with the pilot Horus at the look-out of the bark. He saw the golden isles in a heaven of perpetual peace to which the pole was the eternal mooring post. Whilst he was passing from this life the bark of Ra was making ready for his soul to go on board.

The foundation of Amenta itself has yet to be delineated. It is a tangible threshold to the other world, the secret but solid earth of eternity which was opened up by Ptah when he and his seven Khnemmu erected the Tat pillar that was founded in the winter solstice as the figure of a stability that was to be eternal. In the mythos the Tat is a type of the sun in the winter solstice that has the power of returning from the lowest depth and thus completing the eternal road. In the eschatology it is the god in person as Ptah-Sekeri or Osiris, the backbone and support of the universe. Horus erecting the Tat in Sekhem was raising Osiris from the sepulchre, the father re-erected as the son in the typical resurrection and continuity of the human spirit in the after life. The figure of Amsu-Horus rising in the resurrection or “coming forth”, with member erect, has two characters, one in the mythology, one in the eschatology. In the mythology he images the phallus of the sun and the generative force that fecundates the Mother-earth. In the eschatology the image of erection is repeated as a symbol of resurrection, and in this phase the supposed phallic god, the figure of regenerative force, is typical of the resurrection or re-erection of the mortal in spirit. Horus the child with finger to mouth is portrayed in the sign of the Scales at the autumn equinox, the point at which the sun begins to lessen and become impotent. This the Egyptians termed the “little sun”, which when personified was infant Horus, who sank down into Hades as the suffering sun to die in the winter solstice and be transformed to rise again and return in all his glory and power in the equinox at Easter. This was matter of the solar mythos, also of life in vegetation and in the water of the inundation. In the eschatology Horus the child is typical of the human soul which was incarnated in the blood of Isis, the immaculate virgin, to be made flesh and to be born in mortal guise on earth as the son of Seb, and to suffer all the afflictions of mortality. He descended to Amenta as the soul sinking in the dark of death, and as the soul he was transfigured, changed, and glorified, to rise again and become immortal as a spirit perfected according to the teachings in the eschatology. A brief list will show how certain zootypes that were founded in the mythological representation were continued in the eschatology :

 

 

AMENTA A TEN AM I AM A TEN AMENTA

AMEN THE NAME THE NAME AMEN

I

MEAN THE NAME

THE

NAME I MEAN

 

 

R

I

S+H

I

RISHI+9 =72 7+2= 99 =7+2 72= 9+RISHI

A RISH = 54 5+4=99=5+4 54= RISH A

SAPTARSHI A STARSHIP A SAPTARSHI

SAPTARSHI = A PAST RISH = 99 = RISH PAST A = SAPTARSHI

 

 

THE

LIVING REALITY OF PLANET EARTH

DIVINE LOVE LOVE DIVINE

I = 9 9 = I

MIN DOTH DREAM WHAT DOTH MIN MEAN

THE

DREAM

OF

THE

RAINBOW COVENANT

 AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA

 

 

GOD ONE GOD

AND ONE CHOSEN RACE THE HUMAN RACE

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

 
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